GUITARS
This replica of the $25,000 John Mayer Black1 replica was painstakingly recreated using only the finest genuine components to simulate the feel of the real thing. The guitar features a black Fender Stratocaster body relic'd to the appropriate design, feel, and aesthetic of the original. Do not be fooled by the Fender Big Dipper pickups that come on the lesser expensive John Mayer signature models. This guitar features David Allen Big Cat pickups which capture the low output, underwound sound of the original guitar. The neck also is slightly different on the Black1 than the lesser expensive models. This neck features a thin Fender C-shape neck with medium-jumbo frets and a 9.5" radius. Ships in tweed hardshell case.
The Gretsch Pro Jet is a solidbody electric guitar for the unconventional guitarist. If you march to your own drummer, you don't want to be seen (or heard) with the same axe everyone else plays. Enter the distinctively different Pro Jet. Gretsch started with a chambered basswood body and maple top, then loaded it with a Hilo'Tron single-coil at the neck and a Filter'Tron humbucker at the bridge. This upgraded model features updated hardware and a metallic purple finish. With comfy playability, affordability, and unique sonics and visuals in its corner, the Gretsch Pro Jet is a contender for your next guitar.
Gretsch Pro Jet Solidbody Electric Guitar at a Glance:
- Basswood body with an arched maple top brings a new voice to the Electromatic line
- Filter'Tron and Hilo'Tron pickups give you classic Gretsch tone
- Fast-playing fretboard
Basswood body with an arched maple top brings a new voice to the Electromatic line
Gretsch reinvented their Electromatic line by giving the Pro Jet electric guitar a wonderfully lightweight and resonant chambered basswood body. This basswood body isn't just lighter on your shoulder than traditional mahogany, it's also lighter on tone, adding crisp treble and extra bite to the Pro Jet's sound. You'll find that this quality complements the Pro Jet's maple archtop perfectly, imbuing this guitar with a character all its own. But make no mistake, the Pro Jet still gives you that great Gretsch sound!
Filter'Tron and Hilo'Tron pickups give you classic Gretsch tone
Gretsch tricked out this Pro Jet by putting a Super Hilo'Tron single-coil pickup in the neck. The Blacktop Filter'Tron humbucking pickup in the bridge gives you a characteristically bright and open sound that's jangly on your highs with an almost single-coil bite. And the Super Hilo'Tron single-coil pickup delivers an articulate and detailed sound from bright and jangly to warm and smooth. Gretsch's Pro Jet is ready to take on any style of music
Fast-playing fretboard
The rosewood fretboard on the Pro Jet sports a 12" radius, perfect for fast fretwork. You'll love how fluidly your fingers navigate this fretboard, which features 22 medium-jumbo frets for effortless playability.
Gretsch Pro Jet Solidbody Electric Guitar Features:
- An upgraded Gretsch guitar that gives you a traditional Gretsch experience at a great price
- Instantly recognizable Jet body style is extremely comfortable to play
- Chambered basswood body and laminate maple top add bright overtones to the classic Jet body style
- Custom metallic purple finish
- Blacktop Filter'Tron and Super Hilo'Tron pickups with custom wiring provide characteristic Gretsch sound
- Upgraded tuners
Here's a phenomenal DeArmond JetStar that is easily worth double the price for the amount of guitar you get! It's built solid as a rock, plays excellent and sounds top notch. Some of the specs; super comfortable neck profile (sort of like a Gibson SG or Firebird), DeArmond made in the USA humbuckers (sound great! super full), solid bridge/tailpiece/Grover style tuners, no tuning issues here! Bound neck, block inlays, set neck, triple ply pickguard. There is a bit of gouging under the neck pickup on the pickguard, and by the pickguard screw towards the lower heel of the guitar. A few scratches mark the front and back, but this guitar has definitely been played for a reason, it's a sturdy, gig worthy machine. Definitely a bang for your buck, don't hesitate!
Upgraded humbuckers to Lollar Imperial ($330) value
Summary
Body: Flame maple cap on mahogany back
Neck: Mahogany neck with 1 11/16" wide nut, 20" radius, and rosewoodfretboard with pearloid trapezoid inlays
Pickups/Hardware: Two Lollar Imperial humbuckers (the neck position rates at 7.8kOhms and the bridge at 8.8k), three-way pickup selector switch, independent tone and volume controls, and Gibson deluxe tuners
Cosmetic Condition: The body has some typical scratches here and there, especially on the back from buckle rash. The neck is very clean, there's just a couple of minuscule dings on the back. The headstock has a few checking lines on the back, a few dings on the sides, and light scratches on the face. ThisLes Paul is looking good.
Playability: The strings are low, play nicely, and fret clearly.
Modifications: The pickups have been replaced (originals included). The strap buttons have also been replaced. A headstock crack has been repaired and the back of the neck has been sanded.
Weight: 10lbs 2oz
Case: Original hardshell
Upgrades include Lollar pickups, black pickguard, and Bigsby B5 Vibrato with no-drilling-needed Vibramate.
Cosmetically This a 9.9 out of 10
1997 Fender Telecaster! Made in the USA. Part of the 'California Series'. Fiesta Red finish. Maple neck and board. Black guard with Strat singlecoil in the neck (Original White guard included).
The California Series Telecaster model also features vintage hardware such as Kluson-style tuners and a vintage bridge with six individual steel saddles. Medium jumbo frets make string bending and playability by far easier in contrast to the usual thin vintage frets. All Telecaster bodies of this particular series were routed for a humbucker pickup in the neck position pickup but this includes the Strat single coil unmodified from original model.
Product Description
This tribute to the 1960's Airline H77/78 - which at the time was also available under the brands of Harmony and Silvertone - covers all the best parts of the originals, but kicks it up a notch for 2014. True in almost every detail to the original, "upgraded" features include the new Gold Foil Argyle pickups, a modern roller bridge for tuning stability, a center block for Bigsby stability and feedback suppression.
- Body: Bound Laminated Maple, Vintage F-Holes
- Colours: Honeyburst
- Pickups: Three Airline Argyle "Gold Foil" SC
- Switching: 3- on/off
- Controls: 3 Volume 3 Tone
- Bridge: Adjustable Roller Bridge, Bigsby B-70
- Neck: Bound Maple, Bolt-on, Bound Headstock
- Finger Board: Rosewood, Block Markers
- Scale Length: 24 3/4" (628mm)
- Width at the Nut: 1 5/8""
- Hardware: Gotoh style Style Nickel/Chrome
- Strings: #9-#46
- Case: Hardhell case INCLUDED
- Unique Features: Airline Gold Foil Pickups
- Suggested Retail: $979.00 US
Product Specs
Condition:
Excellent
Make:
Model:
Finish:
Categories:
Year:
Made In:
Korea
Mint condition, ships with everything original including hardshell case. Whitepickguard has been replaced with red tortoiseshell for aesthetics. (The Whitepickguard will still be included)
Fender is very proud to introduce the Johnny Marr signature Jaguar® guitar. Marr is best known, of course, as the strikingly dynamic and influential anti-heroguitarist-arranger-all-around-musical-wunderkind behind Manchester quartet the Smiths, which virtually redefined and ruled U.K. pop throughout the 1980s. A master of melody, layering and texture, Marr has always brought his own instantly identifiable ringing, jangling genius to the proceedings, as he has done in post-Smiths stints with The The, Electronic, the Pretenders andJohnny Marr and the Healers, and right up to the present with Modest Mouse, the Cribs and innumerable guest appearances.
The Johnny Marr signature Jaguar is a fantastically non-standard version of the model that is as distinctive as the sounds Marr wrings from it, with a wealth of highly specialized features including custom-wound Bare Knuckle Johnny Marrsingle-coil neck and bridge pickups; custom-shaped maple neck based on Marr's 1965 Jaguar, with vintage-style truss rod, lacquer finish and Marr's signature on the front of the headstock; four-position blade-style pickup switch mounted to the lower-horn chrome plate (bridge, bridge and neck in parallel, neck, bridge and neck in series); two upper-horn slide switches (universal bright and pickup switch position four bright); Jaguar bridge with Mustang saddles, nylon bridge post inserts for improved stability, chrome cover and vintage-style floating tremolotailpiece; and "taller" tremolo arm with arm-sleeve nylon insert to prevent arm swing.
SPECIFICATIONS
Fender Musical Instruments, fender.com
MODEL
Fender Johnny Marr Jaguar
PRICE $2,419 retail/$1,649 street
NUT WIDTH
1.65”
NECK
Maple, bolt-on (based on Marr’s ’65 Jaguar)
FRETBOARD
Rosewood, 24” scale, 7.25” radius
FRETS
22
TUNERS
Vintage style
BODY
Alder
BRIDGE
Jaguar with Mustang saddles and vintage-style “floating” tremolo
PICKUPS
Two custom-wound Bare Knuckle Johnny Marr pickups
CONTROLS
Master Volume, Master Tone, 4-way selector, universal Bright switch, Brightswitch for pickup-selector position 4
FACTORY STRINGS
Fender Nickel-Plated Steel Super 250R, .010-.046WEIGHT
8.5 lbs
BUILT
USA
KUDOS
Stunning finish. Bold, articulate tones. Comfy player. Wonderfully idiosyncratic.
CONCERNS
Wonderfully idiosyncratic.
614ce
Our maple/spruce Grand Auditorium has always been a versatile performer, and this edition boasts an array of tone-enhancing refinements that transform maple’s tone profile into a richer, warmer and more complex voice. As a result, players can expect an even more dynamic and expressive musical tool. Design nuances include a maple-specific back bracing profile and a special seasoning process for the spruce top called torrefaction, a method of roasting the wood to produce an aged tonal character with greater acoustic resonance and responsiveness. Other touches include the use of protein glues to optimize the tonal transfer between key wood components and an ultra-thin, 3.5-mil gloss finish to minimize dampening. A new, hand-rubbed “Brown Sugar” stain on the back and sides gives maple’s striking figure a beautiful violin-hued appearance without adding extra thickness to the finish. Featured appointments include ivoroid Wings fretboard inlays, an inlaid ebony backstrap, ebony binding with ivoroid purfling, an ebony/ivoroid rosette, and a striped ebony pickguard, along with Taylor’s Expression System® 2 acoustic electronics. The guitar comes with a deluxe hardshell case.
Up for sale is a Fender Custom Shop 1960 Relic Stratocaster. Included is the OHSC and documentation. The neck on this guitar has been sanded down by a licensed Fender repair technician to a slightly slimmer, more comfortable profile. The wiring has also been changed so that the bottom tone knob controls both the bridge and middle pickups. The guitar has been kept in a smoke and pet free home and has lived in the case most of the time. This guitar has a fantastic tone and plays very easily.
Product Description
The Airline '59 Coronado is our tribute to the Coronado model used by Dan Auerbach of The Black Keys. The originals were made of Res-O-Glas, but we have upgraded the design to tone-chambered mahogany bodies. Upgrades to the standard Coronnado model on this '59 include rubber body binding, zero fret, Tone Pros bridge and Deluxe Airline hardshell case.
- Body: Tone Chambered Mahogany
- Colours: White, Metallic Blue
- Pickups: 2 Alnico Hot-10 Humbuckers
- Switching: 3-Way, Vintage Switchplate
- Controls: 2 Volume, 2 Tone
- Bridge: Tone Pros Roller, BIGSBY tremolo
- Neck: Bound Maple, Bolt-on, Zero Fret
- Finger Board: Rosewood, Block Markers
- Scale Length: 25 1/2" (648mm)
- Width at the Nut: 1 11/16"
- Hardware: Grover Style Nickel/Chrome
- Strings: D'Addario #10
- Case: Deluxe AIRLINE Case INCLUDED
- Unique Features: Rubber Body Binding, Tone Pros Bridge
- Suggested Retail: $1499.00 US
Product Specs
Condition:
Excellent
Make:
Model:
Finish:
Categories:
Made In:
Korea
Elliot Easton “Tikibird” Firebird
As a member of Boston hit-makers The Cars, and a consummate musician in his own right, Elliot Easton has consistently bridged the gap between chart success and innovative, alternative guitar playing. From early Cars singles like “Just What I Needed” and “My Best Friend’s Girl,” to 1981’s “Shake It Up” (the band’s first Top 10 hit), Elliot’s creative, often quirky and frenetic riffs provided the propulsion to a driving and energetic sound—and in the process, Easton became a massively influential artist.
An enduring fan of Gibson electrics, Elliot has long been associated with a Signature SG. Now the artist and Gibson USA team up for a more alternative Signature model blending classic features with several player-approved advances: the Elliot Easton “Tikibird” Firebird, available in both left- and right-handed models.
Resplendent in an exclusive new Gold Mist Poly finish in high-gloss nitrocellulose lacquer, the Elliot Easton “Tikibird” Firebird boasts a stunning look in the classic and ever-radical “reverse body” Firebird design, augmented by its hot-stamped Tiki graphic on a traditional multi-ply white plastic pickguard and Elliot Easton’s signature on the headstock’s back. It’s powered by a pair of Gibson’s most popular humbucking pickups with versatile coil-splitting and phase-reverse wiring for unprecedented sonic variety. A Bigsby™ vibrato tailpiece with Vibramate™ Spoiler® for easy string loading gives you emotive dips and tremulous wobbles, while a new TonePros™ locking Tune-o-matic bridge with nylon saddles offers excellent return-to-pitch during vibrato use. To top it off, a set of Steinberger™ gearless tuners give unparalleled tuning efficiency. Experience the Elliot Easton “Tikibird” Firebird today for yourself at your authorized Gibson USA dealer, and get your hands on your own inspirational alternative.
Body and neck
The Elliot Easton “Tikibird” Firebird is made in the image of the original “reverse body” Firebirds of 1963-’65, with lines that appeared to be the reverse image of other solidbody styles on the market. It is constructed from a solid multi-piece mahogany neck/body section—called a “through neck”—with glued-on mahogany body wings. The neck is carved to Elliot’s preferred slim, fast Firebird profile, which measures 0.800” at the 1st fret and 0.850” at the 12th. It is topped with a Grade-A rosewood fingerboard with traditional trapezoid inlays and 22 medium-jumbo frets.
Pickups and electronics
To fatten up the traditional Firebird tone, the Elliot Easton “Tikibird” Firebird carries a pair of Gibson’s popular ’57 Classic humbucking pickups, long known for their blend of depth and clarity. They are rendered superbly versatile through a custom network of four slider switches mounted in the pickguard, accessing individual coil splitting for both pickups, phase-reverse when both are used together, and Gibson’s Pure True Bypass switching. The latter routes the bridge pickup directly to the output jack when engaged, for a quick preset lead tone with no loading. The coil-split switching offers something new, too: wired in Gibson’s “Frequency-Tuned Coil Tap” mode, the two pickups are still reverse-wound/reverse-polarity in the center position when tapped, for hum-canceling single-coil tones, and their individual tapped tones are still hum reducing, and more accurate to boot. The remaining controls include the traditional four-knob complement with three-way toggle switch.
Hardware
Elliot’s input in the hardware department takes the Elliot Easton “Tikibird” Firebird further into the stratosphere. A genuine Bigsby™ vibrato is modified with a Vibramate™ Spoiler® string loader to take the usual hassle out of restringing this beloved whammy bar. A TonePros™ Tune-o-matic locks down tight for enhanced resonance and sustain, with nylon saddles to avoid string hitches during Bigsby™ use. Finally, a set of super-efficient Steinberger™ gearless tuners give you the smoothest tune-up imaginable, without spoiling the radical lines of the Firebird headstock. The traditional Firebird truss-rod cover is hot-stamped with a gold Gibson logo, and the custom multi-ply white plastic pickguard carries a hot-stamped Tiki graphic.
Case and coverage
The Elliot Easton “Tikibird” Firebird includes a Gibson USA hardshell case, a truss-rod adjustment tool, and an owner’s manual and adjustment literature. It is covered by Gibson’s Limited Lifetime Warranty and 24/7/365 Customer Service.
MIM Fender Telecaster with upgrades. Has an RS Guitarworks Premium Vintage Tele Style upgrade kit as well as Zhangbucker Paul Bunyan Tele pickups . Bridge is 9.5k/A5 and Neck is 7.8k/A5. The guitar has a fairly beefy neck and sounds and plays great.
Supro Lexington was one of the last models to ever be produced by Valco, since the company had “merged” with Kay around 1967. Cool vintage guitar! The pickups work but the electronics are pretty scratchy and temperamental. The Lexington models look very similar to Fender Jaguar/Jazzmaster body shapes, but these Supro’s are much thinner at the “waist” than their Fender counterparts. It has a 24 3/4″ scale. Nice sunburst finish. The logo is long gone and the tuners have been replaced. Sorry, no case with this one.
Supro Carlisle Deluxe s676 (Manufactured by Valco).
Of all the Valco manufactured guitars (Silvertone, Airline, National, etc..) Supro are widely considered to be of the highest quality.
This is a Rare Supro Hollow body, it's thin like a Epiphone Casino , Gibson 335 Etc. Overall good condition for close to 50 years old Guitar. Not a lot of playwear showing , I'm guessing from the headstock this is mid to late 60's toward the end of the Supro Valco National era but might be early '60's not sure when they brought out the Six tuners on one side head stock but I'm guessing it was to look more contemporary in the later sixties. The guitar has a "Bill Clinton " sticker in the pick guard and I'm assuming that there was a musician by that name that endorsed it that has long faded from the Music World Limelight , if anyone cares to enlighten me on any of this I'd love to know more about it. The guitar has the original solid red finish on it which is in fairly decent shape for its age with the worst areas showing some chipping on the bottom side edge (see Photos ) and some typical belt rash wear on the back, frets look good neck is nice and straight action is nice electronics are all in good working order and tremolo works fine.
Unfortunately this guitar is so rare that I could not find a video of it on youtube, hopefully I will make one and upload soon.
For your consideration is an all-original 1967 Fender Coronado II in original Nitro Sunburst finish and in excellent condition, with the included original hardshell case, also in excellent condition.
The frets and neck are in excellent condition and the guitar plays and sounds great!
The action is low and smooth and very easy to play. Very minimal playwear on the top and back of the body with some light pick scratches and a few light scuffs. There is some light finish checking and spotting upon close inspection. There are some chips in the finish as seen in pics on the end of the guitar near the end strap button.
The frets are good with some minor playwear but no huge divots and they should be good for years of playing. We would conservately rate this guitar an 8.0 out of 10.
Product Description
Each year we bring out a few limited edition color schemes for the Airline ’59 series. Here is the first for 2014! Gold Metal Flake, black neck and headstock,black body binding and all the ’59 trimings. Please take a close look at the photos down below to see closeups of the finish, it is killer!
Specifications:
- Body: Tone Chambered Mahogany
- Colours: Gold Metal Flake
- Pickups: 2 Airline Vintage Voiced Single Coil
- Switching: 3-Way, Vintage Switchplate
- Controls: 2 Volume, 2 Tone, 1 Master Volume
- Bridge: Tune-O-Matic, Custom Chrome Tail
- Neck: Bound Maple, Bolt-on
- Finger Board: Rosewood, Block Markers
- Scale Length: 25 1/2″ (648mm)
- Width at the Nut: 1 11/16″
- Hardware: Tone Pros. Tune-O-Matic, Custom Chrome Tail. Kluson Deluxe Tuners
- Strings: D’Addario #10
- Case: Deluxe AIRLINE Case INCLUDED
- Unique Features: Rubber Body Binding, Striped Pickguard.LIMITED EDITION of 24.
- Suggested Retail: $1249.00 US
Product Specs
Condition:
Excellent
Make:
Model:
Finish:
Categories:
Made In:
Korea
Fender’s Jimi Hendrix Voodoo Stratocaster® recreates the sound made famous by the voodoo music master himself–Jimi Hendrix–for the righthanded player. The Voodoo Stratocaster has a right-handed alder body, a one-piece maple neck with reverse headstock, 21 medium jumbo frets, vintage pickups with reversed staggered pole pieces and reverse angle bridge pickup, a right-handed vintage bridge, rosewood or maple fretboard, and vintage “F” tuners. Comes factory equipped with genuine Fender strings for optimum tone and performance.
Guitar players universally agree that Hendrix achieved his signature sound inpart because he was a left-handed guitar player who played a right-handed Stratocaster strung left-handed. The reverse bridge pickup angled down towardsthe bass string produces a unique sound that differs from a standard Stratocaster bridge pickup.
The low strings are much brighter and more articulate and the high strings are warmer and fuller.When a right-handed guitar is strung lefthanded, the change in string tension and the reverse staggered pole pieces on the pickups have adirect effect on the tone, which is how Hendrix made his high strings scream and achieved pure, clear tones on his low strings.
Since it’s a challenge to play a guitar body that’s upside down with all the knobs and the tremolo in the way, Fender made it easy for the right-handed player to comfortably obtain the Hendrix sound. Everything on the Voodoo Strat is designed to give all the sonic benefits of playing an upside-down Strat like the original guitar that Hendrix used, only on a right-handed body.
Original case and case candy included
Specs:
- Colors: Olympic White, Black and Sunburst
- Model Number: 010-6602 (011-6602)
- Body: Right-handed Alder Body
- Neck: One-piece Maple
- Fretboard: Separate Laminated Maple (9.5″ radius)
- Scale Length: 25.5″ (648 mm)
- Frets: 21 Medium-jumbo
- Width at Nut: 1.650″ (42 mm)
- Machine Heads: Fender/Schaller® Vintage “F”
- Pickups: 3 Vintage-style Alnico Magnet Single-coil with Reverse-StaggeredPole Pieces
- Pickup Switch: 5-way
- Controls: Master Volume, Tone (neck), Tone (mid)
- Pickguard: 3-ply white (W/B/W)
- Bridge: “Original” Synchronized TremoloUnique Features: Reverse-angled Bridge Pickup; Reversed, Large ’60s Headstock with “transition” Logo Decal
- Strings: Fender Nickel Plated Steel .009, .011, .016, .026, .036, .046
- Accessories: Hardshell Case; Strap; Cable; Saddle Height Adjustment Wrench pn# 0018531000 (.050″ hex)
Product Specs
Condition:
Excellent
Make:
Model:
Finish:
Categories:
Year:
Made In:
United States
Stunning example of the Harmony H-72V hollow body guitar manufactured in the late 60's and early 70's. This is the top of the line model which features a Bigsby vibrato unlike the H-72. The guitar is all stock and features DeArmond Gold Foil pickups which sound killer. The guitar is in excellent condition for its age. It has serious soul and plays just as good as it sounds. Setup and action are excellent.
Product Specs
Condition:
Very good
Make:
Model:
Finish:
Categories:
Vintage (pre-1980), Hollow Body
Made In:
United States
With one of the most jaw-dropping resumes in music, Skunk Baxter has come to know a thing or two about tone. After playing bass in Jimi Hendrix’s pre-Experience band, Baxter became a founding member of Steely Dan, then joined hit-makers the Doobie Brothers in 1974. As a studio musician for over 50 years, he worked extensively with Bryan Adams, Rod Stewart, Donna Summer, Ringo Starr, Dolly Parton and many others. His go-to guitar? A Gibson Firebird, naturally—and with that kind of background, you just know that his Firebird is going to be something special.
The Skunk Baxter Firebird by Gibson USA is built in the tradition of the original “reverse-body” Firebird, with its distinctive looks and multi-piece “neck-through-body” construction for superior strength and sustain. However, a radically new set of Firebird Mini-humbuckers (designed by Skunk Baxter and Jim DeCola), while the hottest mini-hums yet, retain the sweet, dynamic tone similar to that of Gibson’s original ’57 humbuckers. Route three of these powerful pickups through independent on/off and full/split-coil switching for an insane number of variations and combinations, and this is the most sonically versatile Firebird yet to take flight.
The high-quality Tune-o-matic bridge, Lyre vibrato tailpiece, and Steinberger™ gearless tuners deliver consistent performance on stage or in the studio—and when it come to looks, the high-gloss Copper Metallic finish, black plastics, white fingerboard binding, and pearloid block inlays make the Skunk Baxter Firebird a visual treat. Don’t miss out: experience this fabulous Firebird today at your authorized Gibson USA dealer.
The Fender California Series Stratocaster guitars have USA vintage style tremolos and tuners and other hardware.The tremolo bridge spacing is the same as the Fender USA vintage bridge spacing of 2 3/16". The Fender California Series Stratocaster bodies are routed for a single neck/single middle/bridge humbucking pickup configuration and have a polyurathane paint finish. The pickup configuration could also be routed for a single neck/ single middle/single bridge. They do not have the infamous "swimming pool" rout. The single coil pickups used on this Stratocaster model are Fender pickups, in the usual 3-single coil arrangement, or the 2-single coil and 1-humbucker in the bridge position ("Fat Strat") arrangement.
The California Series Telecaster model also features vintage hardware such as Kluson-style tuners and a vintage bridge with six individual steel saddles. Medium jumbo frets make string bending and playability by far easier in contrast to the usual thin vintage frets. All Telecaster bodies of this particular series were routed for a humbucker pickup in the neck position. There were two options of the pickup configuration: Either a "Fat Tele" pickup arrangement with a Fender USA humbucker neck pickup and a bridge pickup or a Stratocaster single coil pickup in the neck position combined with a single coil bridge pickup. The serial numbers are in an AMXN + 6 digits format while the first digit represents the year of production. AMXN7***** means the guitar was manufactured in 1997.
All Fender California Series have "Made in USA" on the headstock.
An exciting signature model with Gibson pickups and Bigsby tremolo.
Gary Clark Jr. is one of the most exciting performers of our generation with a totally original style that fuses rock, pop, acoustic and electric blues styles, and rhythm & blues into a sound all his own that has made him a living legend to both music fans and musicians. Gary Clark Jr. is everywhere—on tour with the Rolling Stones and on stage with Eric Clapton or at the White House. But no matter where he’s playing, he’s never seen without his favorite guitar, an Epiphone Casino. Now, Clark has joined with Epiphone to commemorate his debut major label album, Blak & Blu, with a classic Casino design featuring Gibson USA P-90 pickups in a one of a kind Blak & Blu Burst color finish.
“I pretty much knew from day one that I needed a few things for my arsenal and the Epiphone Casino is the one guitar that always stood out,” said Clark. “Getting my first Casino changed my life. And my new Epiphone “Blak & Blue” Casinos are amazing guitars. They're a dream. I love ‘em!”
Classic Casino Style: The Casino has changed little since its initial debut in 1961. And for his premier signature guitar, Clark chose to keep the same classic Casino body shape and style that nearly all Casinos have shared since the early 60s. “I like the way Epiphone Casinos play right off the shelf,” said Clark. “To be honest, the original prototype of the new “Blak & Blue” was perfect as-is.”
Clark’s new Signature “Blak & Blu” Casino is a Laminated Maple, 5-ply (Maple/Birch) hollowbody, the source of the Casino’s legendary chimey tones and easily controllable gritty feedback. The body is finished in Clark’s custom new “Blak & Blu” Burst color finish with single-ply white binding around the top and back. The Mahogany neck has 22 medium jumbo frets and a 1960's SlimTaper D Profile that’s inspired by the best vintage Casino’s in Epiphone’s collection. Like vintage models, the neck joint is glued to the body at the 16th fret.
The scale length is a standard 24.75” with a Rosewood fingerboard with pearloid "Parallelogram" inlays. The smooth fingerboard has single-ply white binding and a 14” radius. The sloped dovetail headstock, seen on virtually all Epiphone archtops since the early 60s, has a 2-ply (White/Black) "Bell" shaped truss rod cover with a vintage "E" in white and 1.68” nut. Though the Casino is a hollowbody, it’s perfectly balanced in size and sound. It’s easy to summon your own brand of dynamics on any size stage and at any volume.
Gibson U.S.A. P-90s: The P-90 single coil pickup first appeared in the late 40s in archtops made at the now- legendary Gibson & Epiphone factory in Kalamazoo, Michigan where the Casino was first designed in the early 60s. P-90s were originally intended as a powerful yet sensitive jazz guitar pickup. But they truly found their voice in the Epiphone Casino starting in 1961. The thinline style body of the Casino, combined with the P-90’s mighty Alnico magnets, have perhaps powered more GRAMMYs and more groundbreaking recordings than any other pickup—from The Beatles and Rolling Stones to Oasis and Radiohead and now Gary Clark Jr.
Clark’s new Epiphone “Blak & Blue” Casino features the same legendary Gibson P-90 pickups, wound with the same attention to detail as the handmade originals with a P-90R in the rhythm position and a P-90T in the lead. Both “Blak & Blue” P-90s pickups are powered by standard Casino controls for volume and tone with a high quality Swithcraft 3-way toggle with a white cap and black washer. Like all Epiphone instruments, the Casino’s electronics come with Epiphone’s Limited Lifetime Guarantee for smooth and reliable use night after night.
Serious Epiphone Hardware: Epiphone leads the industry in making sure all of its instruments feature the highest quality hardware. The “Blak & Blue” nickel bridge is an ABR Tune-o-matic and Grover Rotomatics 18:1 ratio machine heads make for easy and precise intonation. The Gary Clark Jr. Blak & Blu Casino also comes with the option of either a Trapeze tailpiece (our SKU J21099) or the legendary Bigsby B70 Vibrato tailpiece (shown here).
Each Epiphone Gary Clark Jr. “Blak & Blu” Casino also comes with a Hand Signed Certificate of Authenticity, a Presentation Binder with Photograph, and Epiphone’s 100% Limited Lifetime Guarantee.
FEATURES Body
- Body shape: Double cutaway
- Body type: Semi-hollow or chambered body
- Body material: Laminated
- Top wood: Not applicable
- Body wood: Maple
- Body finish: Gloss
- Orientation: Right handed
Neck
- Neck shape: '60s SlimTaper D
- Neck wood: Mahogany
- Joint: Set-in
- Scale length: 24.75"
- Truss rod: Standard
- Neck finish: Gloss
Fretboard
- Material: Rosewood
- Radius: 14"
- Fret size: Medium jumbo
- Number of frets: 22
- Inlays: Parallelogram
- Nut width: 1.68" (42.67mm)
Pickups
- Configuration: HH
- Neck: P-90R
- Middle: Not applicable
- Bridge: P-90T
- Brand: Gibson
- Active or passive: Active
- Series or parallel: Series
- Piezo: No
- Active EQ: No
- Special electronics: None
Controls
- Control layout: Volume 1, volume 2, tone 1, tone 2
- Pickup switch: 3-way
- Coil tap or split: No
- Kill switch: No
Hardware
- Bridge type: Tremolo/Vibrato
- Bridge design: ABR
- Tailpiece: Bigsby B70
- Tuning machines: Grover Rotomatic
- Color: Nickel
THE BRAND KNOWN AS NATIONAL GUITARS has a long and storied history, from metalbodied resonator guitars in the 1930s to the hyper-cool map-shaped “Res-O-Glas” models of the 1960s. One of the nicest electric guitars they ever made, oddly enough, is also their least known— the obscure Bobbie Thomas artist model guitar of the late ’60s. Who was Bobbie Thomas, you might ask? In the 1960’s, Bob and Bobbie Thomas were a father and son act based in Chicago. They were regular performers on the National Barn Dance, Chicago’s answer to the Grand Ole Opry. In that same era, National guitars were being cranked out by Valco, a conglomerate guitar factory in Chicago that manufactured guitars under various brand names—Supro, Airline, Oahu, and National. The kid—Bobbie Thomas, Jr.—was hot stuff. It wasn’t long before the honchos at Valco, watching Bobbie Jr. ripping it up every week on local Chicago television, offered a rare opportunity: his own artist model guitar.
Viewing these guitars in hindsight with other Valco guitars of the era, one can tell that they were really trying to make a high-quality instrument with the Bobbie Thomas model. Though certain elements of the guitar, including the bolt-on neck and laminated plywood top and back, are indicative of budget instruments, the overall feel of the guitar is very nice. The hard maple neck, Grover Rotomatic tuners, Gibson ABR-1 adjustable bridge (which came stock) and the Bigsby vibrato all added up to a deluxe guitar that was several notches above the typical Valco.
The unique design of the Bobbie Thomas model was very original and holds up well today. The double-cutaway semi-acoustic construction hints at a Gretsch influence, and the batwing-shaped f-holes owe more than a passing nod to Rickenbacker’s stylized f-holes. You could order this guitar in three finishes—Cherry Shade, Sunset Orange, or the Natural Blonde shown here.
The Bobbie Thomas model cost a whopping $400 new in 1968, with a hardshell case for an extra 70 clams, making this guitar worth the equivalent of $3,000 in today’s money, which is probably why you don’t see too many of these. National also quit making their own instruments by 1970, turning to cheaper imported guitars to carry on the company name.
Here we have a 1960's Custom Kraft guitar. The styling of this guitar was based on the Burns Bison. This is the same shape as the Custom Kraft Ambassadorbut is packed with many more features including the tremolo and two Valco pickups. The weight distribution of this guitar is similar to a Gibson SG - More weight in the neck and a light body. Overall this is one of my favorite Valco manufactured guitars - It really rocks !
CUSTOM KRAFT Bison -- made in USA:
Specs:
- pickups: 2 single coils
- controls: 2 x volume + 2 x tone
- pu selector: 2 x slide switches
- body: alder body finished in sunburst
- neck: maple
- fingerboard: rosewoood
- hardware: chrome / tremolo (arm is missing)
- action: low
- sound: unique !
Product Specs
Condition:
Good
Make:
Model:
Finish:
Categories:
Vintage (pre-1980), Solid Body
Year:
Made In:
United States
This Epiphone Les Paul Custom features upgraded Seymour Duncan '59 PAF Humbuckers and a soft shell case
Dressed to Kill!
The Les Paul Custom made its debut in 1954 after the initial success of the Les Paul Goldtop. Les Paul himself suggested black as a great color for his Les Paul because it looked "classy" and went well with a tuxedo on stage. From that point on, the Les Paul Custom has often been referred to as the "tuxedo" Les Paul. Now, the Les Paul Custom gets a new suit with a stunning one-of-a-kind Silver Burst color finish!
And like every Epiphone, the Les Paul Custom features our Limited Lifetime warranty backed by world famous 24/7/365 day Gibson Customer Service. So put on your tuxedo and strap on an Epiphone Les Paul Custom today. No one can ever say you're under-dressed for the occasion!PRODUCT FEATURES
- Silverburst finish
- Classic mahogany Custom body
- Alnico Classic™ pickups
- Gold hardware
SPECIFICATIONSBody MaterialmahoganyNeck MaterialmahoganyNeck ShapeSlimTaper™; D-profileNeck JointGlued-in, set neckTruss RodAdjustableScale Length24.75Fingerboard Materialrosewood, pearloid block inlaysFingerboard Radius12”Frets22 medium jumboNeck PickupAlnico Classic™ humbuckerBridge PickupAlnico Classic Plus™ humbuckerPickup SelectorEpiphone all-metal 3-way toggle switchControls1-neck volume, 1-neck tone, 1 bridge volume, 1-bridge toneBridgeLocktone™ Tune-o-matic/StopbarNut Width1 11/16”HardwareGoldBinding7-layer body front and back, 5-layer headstock, 1-layer fingerboardMachine HeadsGrover® 16:1 ratioColorSilver Burst (SB)
Local Pickup Only
2×12: These cabinets are designed specifically to match our Signature Series Amplifiers. The SD cabs feature void free multi-ply birch construction, special bracing, tuned back, sides, and baffle, and tuned rear port. The result is a stunningly lively cabinet with a huge sound-stage and even bass dispersion.
Speaker: TR 1265B Speaker
Speaker Options: Celestion G12-65
Impedance: 4 or 8 ohm
Power Handling: 150W RMS
Dimensions: 21 1/2″ wide x 29″ tall x 12″ deep
Weight: 52 lbs.
Colors: Black or Blonde (Custom Options Available)
Here we have a nice clone of the Fender David Gilmour Signature Stratocaster. As you may or may not know, the genuine David Gilmour signature retails for $5k+. Now is your chance to own this David Gilmour strat for almost a fifth of the price. The stratocaster is constructed from all genuine fender parts. The body and neck are from a 50's road worn stratocaster while the pickups are the EMG DG-20 David Gilmour active setup. A shortened tremolo bar has even been installed just like the original.
7.5" scale maple neck
Vintage Frets
Soft V-Taper
EMG DG-20 Active pickups
- Mahogany Body
- Mahogany Neck with binding and Block Inlays
- Rosewood Fret Board
- 24 3/4 Scale Length
- 42.75 Nut Width
- 2 1/16 String Spacing
- Modern C Shape Neck / Satin Finish
- 12 Inch Radius
- Grover Tuners
- Bibsby B5 Vibrato on Righty
- Stop tailpiece on Lefty
- Roller Bridge
- Custom Wound P90 in neck
- Custom Wound P90 in Bridge
- Vintage style cloth wiring
- 3 Way Toggle With two Volumes & Master Tone
- Med Jumbo Frets
- Dual Truss Rod
Pick up the Lee Ranaldo Jazzmaster™ guitar and tap into the unmistakable Sonic Youth sound. Ranaldo — one of Sonic Youth's indie rock guitaring geniuses — teamed up with the crew at FENDER® to create this Sapphire Blue masterpiece. This one's hot-rodded with independent spirit, and a pioneering alternative FENDER®, fitting for anyone into making some artful noise. For the Sonic Youth die-hards, Fender's also got the next ingredient in this noise rock recipe: pair the Thurston Moore Jazzmaster with this Lee Ranaldo Jazzmaster and get ready to start a wave.
Fender Lee Ranaldo Jazzmaster Electric Guitar Features:
- Color: Sapphire Blue Transparent
- Body: Alder
- Neck: Maple, "C" Shape
- Fingerboard: Rosewood, 7.25" Radius (184 mm)
- No. of Frets: 21 Vintage Style Frets
- Pickups: 2 New Fender "Wide Range" Humbucking Pickups Re-Voiced to Original Vintage Spec, (Neck/Bridge)
- Controls: Master Volume
- Pickup Switching: 3-Position Toggle — Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
- Bridge: American Vintage Jazzmaster Tremolo with Mustang Bridge and Tremolo Lock Button. Uses U.S. Jazzmaster Tremolo Arm
- Machine Heads: Fender/Gotoh Vintage Style Tuning Machines
- Hardware: Chrome
- Pickguard: Black Anodized Aluminum
- Scale Length: 25.5" (648 mm)
- Width at Nut: 1.650" (42 mm)
- Unique Features: Satin Lacquer Finish, Satin Black Painted Headstock, Single Master Volume with Black Speed Knob, Mustang-style Bridge, Re-Voiced Wide Range Humbucking pickups, Black Anodized Aluminum Pickguard
Upgraded David Allen Cheetah pickups as well as Fender Bigsby
Professional guitarists in all musical genres have relied on the Fender Telecaster guitar since its early 1950s introduction for its powerful tone and smooth playability. The Standard Telecaster Satin Electric Guitar combines the best of old and new, with hotter single-coil pickups, shielded body cavities, medium jumbo frets, six-saddle strings-through-body bridge, cast/sealed tuners, tinted neck, parchment pickguard and control knobs, '70s-style headstock logo and some exciting finishes.
2006 Cherry Epiphone Casino with Epiphone case in excellent condition. No scratches or dents noted. The neck was professionally repaired approximately 6-7 years ago. No issues. I included pictures of the repair. Contact me if you have any questions please.
I have looked over the guitar and noticed very small pick hazing to the pickguard and near the upper f hole. Also two small nicks on the back near the neck joint. I tried to get these in the pictures if you can see them. Very hard to see in person and in the pictures.
Introducing the new Airline® '59 NEWPORT. It is Eastwood's take on the rare National Newport Val-Pro 88 from the late 50′s and early 60′s. It features two NY Mini Humbuckers and a Piezo pickup in the bridge with a 5-way switch, on a lightweight tone-chambered Mahogany body. Tones of tonal variations! Available in Black or Seafoam Green. Original Newport Res-O-Glas models now sell for $4,000-$6,000.
- Body: Tone Chambered Mahogany
- Colours: Black, Seafoam Green
- Pickups: 2 NY Mini Humbuckers, Piezo Bridge
- Switching: 5-Way
- Controls: 3 Volume, 3 Tone, ! Master Volume
- Bridge: Tun-o-matic, chrome trapeze tail
- Neck: Bound Maple, Bolt-on, Zero Fret
- Finger Board: Rosewood, Vintage Style National Fret Markers
- Scale Length: 24 3/4" (628mm)
- Width at the Nut: 1 11/16"
- Hardware: Grover Style Nickel/Chrome
- Strings: D'Addario #10
- Case: DLX Case included
- Unique Features: Piezo Bridge Pickup
- Suggested Retail: $1379.00 US
Now this is one you don't see every day. 1965 Kay Coronado. Similar in design to the Kay Titan and Apollo.
This guitar has vintage Barney Kessel style "Kleenex" pickups and boy do they ring. Action and setup is perfect, truly a closet treasure.
Beautifully symmetrical and thick Mahogany body (and neck, and headstock).
Of course there are some minor scratches and dings as can be expected of a guitar of this age, but overall it is in very good condition.
Complete with a Bigsby tremolo, a Custom Kraft inspired headstock, and an atypical pickguard layout, you do not want to pass this one up.
With the Thurston Moore Jazzmaster™ slung across your shoulder, you can't help but feel your independent spirit fuel. This eye-catching Forest Green Jazzmaster has been hot-rodded and spec'd out by none other than Sonic Youth indie rock guitar wiz', Thurston Moore. Pair it onstage with Fender's Lee Ranaldo Jazzmaster™, and you're ready to make some artful noise. The key Thurston Moore Jazzmaster tweaks include two Seymour Duncan Antiquity II pickups, an Adjust-o-Matic bridge, and a tremolo lock button. Ready to start exploring? The sonic palette's right here: the FENDER® Thurston Moore Jazzmaster™.
Fender Thurston Moore Jazzmaster Electric Guitar at a Glance:
- Primed for that Sonic Youth sound
- Hot-rodded with independent spirit
Primed for that Sonic Youth sound
It's hard to draw any comparisons to this decidedly trailblazing band. With Thurston Moore and Lee Ranaldo at the 6-string helm, Sonic Youth took on the world their own way... a noisy, underground, textured, avant-garde sort of way. And that's just what the Thurston Moore Jazzmaster is all about. Moore - and bandmate Ranaldo - have been playing Jazzmasters forever - they love 'em. That's why the pair got together to develop their ultimate Jazzmasters - hot-rodded and definitely eye-catching. Read on to find out more about the Fender Thurston Moore Jazzmaster.
Hot-rodded with independent spirit
The Jazzmaster is already the outside-of-the-mainstream Fender of choice. And here, with the Thurston Moore Jazzmaster, you've got an independent take on the independent axe. Special features of the Thurston Moore Jazzmaster include two Seymour Duncan Antiquity II for Jazzmaster pickups, a two-piece black anodized pickguard, an American Vintage Jazzmaster tremolo with Adusto-Matic bridge and tremolo lock button, a single master volume control, and a Forest Green Transparent finish with a black-painted headstock. A Sonic Youth 'zine comes with it, and you also get a Sonic Youth sticker sheet for decking out the Thurston Moore Jazzmaster's included hardshell case.
Fender Thurston Moore Jazzmaster Electric Guitar Features:
- Finish: Forest Green Transparent
- Body: Alder
- Neck: Maple, C Shape, (Nitrocellulose Lacquer Finish)
- Fingerboard: Rosewood, 7.25" Radius (184 mm)
- No. of Frets:21 Jumbo Frets
- Pickups: 2 Seymour Duncan Antiquity II for Jazzmaster Pickups (Neck & Bridge)
- Controls: Master Volume
- Pickup Switching 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge, and Neck Pickups
- Bridge:American Vintage Jazzmaster Tremolo with Adusto-Matic Bridge and Tremolo Lock Button. Uses Jazzmaster Tremolo Arm
- Machine Heads: Fender/Gotoh Vintage Style Tuning Machines
- Hardware: Chrome
- Pickguard: Black Anodized Aluminum Pickguard with Separate Control Plate
- Scale Length: 25.5" (648 mm)
- Width at Nut: 1.650" (42 mm)
- Unique Features: Satin Lacquer Finish, Satin Black Painted Headstock, Single Master Volume, Adusto-Matic Bridge, Seymour Duncan Antiquity II for Jazzmaster Pickups, Black Anodized Aluminum Pickguard with Separate Control Plate
- Includes: Strap, Cable, Sonic Youth 'Zine, Special Jaguar/Jazzmaster String Set, Black hardshell case included
The Fender Thurston Moore Jazzmaster electric guitar is primed for indie rock!
Local Pickup Only
2×12: These cabinets are designed specifically to match our Signature Series Amplifiers. The SD cabs feature void free multi-ply birch construction, special bracing, tuned back, sides, and baffle, and tuned rear port. The result is a stunningly lively cabinet with a huge sound-stage and even bass dispersion.
Speaker: TR 1265B Speaker
Speaker Options: Celestion G12-65
Impedance: 4 or 8 ohm
Power Handling: 150W RMS
Dimensions: 21 1/2″ wide x 29″ tall x 12″ deep
Weight: 52 lbs.
Colors: Black or Blonde (Custom Options Available)
AMPLIFIERS
The Kemper Profiler is the all-in-one solution for electric guitar and bass. It's a multi-effect-processor, preamp and optional poweramp. Due to its high connectivity it fits perfect to all purposes, no matter if you're playing live, at home or in the studio.
It ships with hundreds of the best amps in the world, profiled under perfect conditions in professional studios worldwide.
Profiler allows you to capture the sonic DNA of any amp with the press of a single button -
a unique technology, called Profiling, invented by Kemper.
The Axe-Fx II XL is the ultimate all-in-one preamp/effects processor. It contains a incredible virtual inventory of hundreds of vintage and modern guitar amps, speaker cabinets, guitar stompbox and studio effects, and more. It accurately recreates the sound and feel of tube amps and can tone match the sound of your live amp or a recording. It is ideal for both stage and studio use, with heavy-duty construction and a high-quality, low-noise design. The Axe-Fx II has superb sound with unrivalled power and flexibility, offering many improvements over traditional guitar amps and effects, including extremely light weight, precise sound control, greater simplicity, and more. Despite its advanced technology, it is remarkably easy to use. In comparison to previous Axe-Fx II models, the XL has "extra large" memory for more presets and user cab sounds, plus upgraded connectivity.
The Velocity 300 provides 150 watts/channel when used in stereo applications or 300 watts mono bridged into a 8 ohm load!
The Velocity 300 has a unique “Reactance” circuit that actually replicates the output impedance of tube amplifiers—so you can get the same great sound that a tube amplifier delivers in a reliable solid state design. And, because it is a variable control, you can customize your Velocity 300 to sound like any of your favorite tube amps. Best of all, this feature is available in the mono bridged mode too!
In addition, the Velocity 300 has “Definition” controls to give you that little bit of edge you need to bring your playing out in the mix. It also has automatic short circuit protection, which detects problems and shuts down the amplifier before any internal damage can be done.
Other Features:
- 115/230 VAC voltage selector switch.
- An AC power detect circuit, which ensures that the amplifier outputs shut down first when AC is removed. This will guard against any thumps or pops that could otherwise occur, potentially damaging speakers when power is cut to the amplifier.
- Differential input buffers to eliminate ground loop hum coming from the power amp
Specifications
- Output Power (Unbridged) - 150 watts per channel @ 4 ohms (both channel driven), 75 watts per channel @ 8 ohms (both channels driven), 37.5 watts per channel @ 16ohms (both channels driven)
- Output Power (Bridged) - 300 watts @ 8 ohms, 170 watts @ 16 ohms
- Input Sensitivity - -7.3dBu (0.335V RMS), 4W stereo for rated output at max. gain
- Maximum Input Level - 23dBu (10.95V RMS), input stage clip point
- Maximum Output Level - 35dBu (4W bridged)
- Maximum Gain - 36dB
- Noise Floor - -75dBu typical (referenced to 1 watt)
- Dynamic Range - 95dB
- Distortion (Typical) - 0.1% THD
- Frequency Response - 20Hz - 20KHz, +0/-3dB
- Current Consumption - 5 amps @115VAC max. (575 watts)
- Dimensions - 19"x 1 3/4" x 9 1/2", 483mm x 44mm x 241mm
- Weight - 18.7lbs, 8.5kg
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1987X
While the 50 Watt 1987X head shares the same ‘Plexi’ front and rear panel features as the 1959SLP, it has its own distinctive sonic personality. More aggressive than the ’60s ‘Plexis’, the 1987X is much more of the ’72 period, with a heady, sweet/aggressive tone.
These tonal characteristics are what define this much respected all-valve head. Much care and effort has gone into ensuring that the 1987X remains true to those tonal characteristics, as well as ensuring it remains aesthetically true to the original ‘Plexi’.
The only modern addition to this re-issue is a tonally transparent Series FX Loop.
GENERAL MODEL1987XRANGEVINTAGETECHNOLOGYVALVE
ELECTRONICS WATTAGE50WINPUTS2 x 2CONTROLSPRESENCE, BASS, MIDDLE, TREBLE, VOLUME 1, VOLUME 2
VALVES PRE AMP VALVES2 x ECC83POWER AMP VALVES1 ECC83, 2 x EL34
ACCESSORIES CABLESPOWER/SPEAKER
OTHER WEIGHT (KG)15.3DIMENSIONS in mm
(W x H x D)665 x 265 x 205EFFECTS LOOP
Complete Your Stack with this Marshall Cabinet!
The Marshall MG412A angled extension cabinet is a 120-watt, 4 x 12" powerhouse with a Carbon Tolex look that perfectly matches Marshall's MG-series of guitar amplifiers. But no matter what amp you play, the Celestion-loaded MG412A extension cabinet is a rockin' speaker cab for any guitar rig. If you want to push some serious air, with the tone and power Marshall is known for, add the Marshall MG412A extension cabinet to your rig.
Marshall MG412A Angled Extension Cabinet at a Glance:
- Marshall quality
- Sound of Celestion
- All-around cabinet
Marshall quality:
Most guitarists just need to see the Marshall name on the cabinet to know they're working with a quality piece of gear. The Marshall MG412A extension cabinet is built with the same attention to detail that earned Marshall the reputation as one of the finest amp makers in the business. From the roadworthyconstruction to the heavy duty Carbon Tolex covering, your MG412A is ready for some serious gigging.
Sound of Celestion:
The Celestion name goes hand in hand with the history of great guitar tone. The Marshall MG412A extension cabinet is loaded with four Celestion 12" speakers for that classic Marshall sound.
All-around cabinet:
Rated for 120-watts at 8 ohms, the Marshall MG412A is an ideal extension cabinet for virtually any guitar rig with a suitable amp. The MG412A is designed to match with the MG-series of guitar amplifiers, but you'll love how it sounds paired with almost any guitar amplifier
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the "Dirty Mayor" has been our most popular amplifiers. This single channel design was borrowed from a limited edition amplifier built in 2008. We had the pleasure of spending a few months with an original ‘JM signature’ model, and captured not only the electronics of the amp, but also the sonic nuances and tonal characteristics. We completely reverse engineered the amp and created our own replica version.
The Dirty Mayor has big “Fender Blackface” clean tones, with a bit more midrange, which gives the amp more bite. It stays mostly clean all the way up the volume knob, but it will breakup at some of the higher settings. It has three selectable EQ boosts, allowing the player to select more treble, mids, or bass frequency. When pushed with the mid boost on, you can get a sweet blues crunch with higher output pickups, and even some controlled feedback while remaining “clean” The amp has an incredibly lush three-tube reverb that make the beautiful clean tones even better. Because of its high headroom, the Wonderland also makes a great pedal platform.
The main addition to the John Mayer Two Rock signature is a Lead Boost switch
Specifications:
- Available in 50 or 100w
- Single clean channel powered by 6L6 tubes
- 3-tube reverb
- Passive effects loop
- 4/8/16 ohm taps
- Available in black, silver, or blue anodized face
- Choice of tolex, carbon fiber, or suede cabinet
- Size: 21″ W x 12″ T x 10″ D
- Weight: 38-46lb
Head only, cabinet available upon request for additional charge
You are bidding on a pair of custom built 2x12 boutique style cabinets with black tolex and brown basketweave grill cloth. These cabs were purchased to monitor how a guitar part performs live as opposed to being projected through active studio monitors.
Individual sale also available, please email for details
G12H-65
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The Dano-built
1484 was a twin-twelve 60-watt amp boasting "clear, mighty sound!" The catalog listing advertised this amp for guitar or bass usage, and had all the amenities you could want in a medium sized (and priced) package: reverb, tremolo, two channels (bridgeable for even MORE crunch!), two matched 12-inch Jensens, and 25 feet of cable to separate amp from speaker cab to "end feedback." Unless feedback's what you wanted. Right, Jack?
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"How do we deliver legendary Two-Rock cleans with dirty versatility in a streamlined, low wattage package?" That was the challenge faced by Two-Rock designers Bill Krinard and Chad Mangrum. Their defining insight was to startfrom the outside in.
We thus focused long and hard on the amp exoskeleton. We saw that if we gutted the middle and located all the performance elements at thetop and bottom of the chassis we could achieve a uniquely streamlined, high performance look, feel and footprint.
The result is the EXO 15 6V6, tube rectified, class AB amp. In its sleek,exoskeleton designed all-metal chassis this 15 Watt amp gives you peerlessTwo-Rock cleans with plenty of dirty versatility. Treble, Mid, and Bass controls allow for classic Two-Rock tone shaping while the Gain and Master controls supply just the right amount of clean to dirty ratios. The Contour control was added for extra global frequency shaping. We added pedals to the front input of the amp for even more versatility. Pre Amp Out and Power Amp In jacks on the rear of the amp give you a passive loop for time based effects. 4, 8,and 16 OHM jacks allow you to connect to the EXO 1x12 speaker cab or any cab of your choice.
Output Power: 15W
Tubes: 2 x 6V6, 5AR4 rectifier tube, 2 x 12AX7
Dimensions: 12" wide x 7" tall x 8" deep
Weight: 13.5 Pounds
Features: Treble, Mid and Bass Tone Stack, Passive Effects Loop - Pre-amp in, Power-amp out,Contour, 4, 8 and 16 ohm speaker outputs, Lit controls onfront panel
CAB
Designed to accompany our EXO 15 amp, this new 1x12 speaker cab is specially tuned to give the EXO 15 a wide range of tonal possibilities in a small footprint. It's painted to match the colors of the EXO 15 amp in a durable "bed-liner" material..
Speakers: 1x12 - WGS 1265B or TR1265
Impedance: 8 ohm
Power Handling: 75W RMS
Dimensions: 14.5" wide x 14.5" tall x 12" deep
Weight: 30 Pounds
Speakers: Celestian G1265
Colors: Black and Grey
KRK Systems is one of the world’s most respected manufacturers of studio reference monitors. In their state of the art design facility, KRK engineers create products that deliver natural and balanced spectral response with low distortion and superior imaging. KRK Studio Monitors have been the professional’s choice of recording engineers and artists for mixing and mastering hit records around the globe, as they need to hear every nuance of the audio being reproduced. KRK ROKIT Generation 3 monitors continue in this design philosophy, so regardless of your musical style, genre, or particular mixing needs, KRK Rokits deliver.
- Bi-amped, class A/B amplifier offering large headroom and low distortion
- Proprietary waveguide optimized for superior imaging
- 1” Soft-dome tweeter provides pristine clarity and extended response up to 35kHz
- High-frequency adjustment tailors the system to personal taste
- Lightweight, glass-Aramid composite woofer delivers clear midrange and tight bass
- Low-frequency adjustment tailors the monitors to taste and adjusts for room acoustics
- Front Firing Port — Low-frequency extension while reducing boundary coupling
- Radiused edges reduce distortion from diffraction
- Low-resonance enclosure for minimized distortion and colorization
- Multiple audio input connectors (XLR, ¼”, RCA) for universal connectivity in any studio environment
- Factory installed foam pad provides isolation between the speaker and surface
- Peak SPL : 109dB
- Frequency Response 35Hz - 35kHz (+/- 2 dB)
- Configuration:2-Way
- System type:Active Studio Monitor
- Low-Frequency:8" Aramid Glass Composite woofer
- Mid-Frequency:N/A
- High-Frequency:1" soft dome tweeter
- Frequency Response:35Hz - 35kHz
- Max Peak SPL:109 dB
- Amplifier Class:Class A-B
- Power Output:100W
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1960'S MONTGOMERY WARDS AMPLIFIER HEAD VINTAGE GIM 9135a AIRLINES VALCO SUPRO PROBABLY EARLY 60'S. THIS ONE HAS BEEN changed to allow all 4 tubes to run at once in a dual stereo configuration as a 100w amp. ORIGINAL TUBES. UNUSUAL RARE CONTROL LIGHTS WORK. ORIGINAL RCA TUBES.
Head only, cabinet available upon request for additional charge
Sebago Sound has been shipping the Texas Flood since 2012, and the amp has been getting great reviews and feedback from all who have had the opportunity to play one. More information on the amp including video clips can be found on our SSS page. Orders for the production amps are being taken now.
The Texas Flood is an amp based on one of the most rare and valuable amps ever made, the Dumble Steel String Singer. Less than 10 of these amps were ever built, each one with it's own unique voice. Ours is based on one of the early amps now owned by a Grammy award winning blues/pop guitarist, and is the most affordable SSS based amp on the market. All US made including the transformers (yes, these make a huge difference in an amp like this!). There may be a less expensive version available, none that include the high quality components that make or break the tone of such a mighty and dynamic amplifier.
Head only, cabinet available upon request for additional charge
KRK's KRK10s powered subwoofer is the perfect complement to KRK ROKIT, VXT, or any other 4"-8" studio monitor. The KRK10s is designed to extend the low-frequency performance of an existing monitor system so that the low-frequency portion of the mix can be properly engineered. The KRK10s also feature a great looking cabinet that echoes the curved edges of the ROKIT and VXT monitors. The front-firing bass port and KRK's trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill protects the woofer and adds to the sleek appearance of the unit. A high-power amplifier and active crossovers provide smooth and accurate reproduction.
A New Standard in Low Frequency Monitoring.
For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the KRK10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the KRK10s will provide the low frequency detail and accuracy that will help you to create a better mix.
Don't Be Square, Curves Ahead
Our new subwoofer series has radically curved surfaces for a great look and amazing performance. Finally there is a subwoofer that looks as cool as it sounds. You can even remove the grill to show off that beefy trademark yellow woofer.
Let's Be Up Front
Take a look at competitive subwoofer monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You'll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs.
Feel the Bass
You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the KRK10s speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance.
You've Got Connections
At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily with your particular set up. That's why you'll find plenty of input options with your KRK10s, sure to accommodate any studio environment. So if it's RCA, 1/4 inch (balanced/unbalanced) or XLR inputs you require, KRK10s has got you covered.
Take Control
With a sweepable 50Hz - 130Hz low pass filter, your KRK10s provides flexible control for any monitoring system. It's true that we think your KRK10s sounds best using KRK full range monitors in a system configuration. However, the low pass filter provides great flexibility with any full-range monitor setup.
Use the Features Designed for the Pros
Professional engineers like the ability to hear how the sub is affecting the mix. Plug in any standard latching 1/4 inch footswitch to bypass the KRK10s and send full range audio to your top monitors. A ground lift feature helps tame pesky ground humm.
Bypass Footswitch control
Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. You will need to use a standard 1/4 inch, mono, latching footswitch. Any standard latching 1/4 inch mono footswitch (such as the Boss FS-5L) should be compatible.
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ERGO™ - Powered by RoomPerfect™
A great mix starts with a great recording room. But when it comes to achieving the most accurate mix, your room may have the upper hand. Like any room, your studio's acoustics include offending frequencies and room reflections, and none of these are helping your mix. Getting a handle on these problems has traditionally meant the installation of soft foam or fabrics, and that's a great start. But now you can get even closer to a perfect room, and a perfect mix, because the future of studio sound is here, and it's called ERGO.
Hear the difference
KRK, long known for highly accurate studio monitors brings you ERGO (Enhanced Room Geometry Optimization). ERGO is for the recording engineer, DJ, or musician that monitors in less-than-perfect acoustic conditions. ERGO is an audio recording interface / room correction system designed to measure and analyze phase/frequency problems within a listening environment. The powerful digital signal processor in the ERGO unit processes audio to correct for the offending issues. So, you can stop worrying about your studio's acoustics and start focusing on your mix!
ERGO's high-end sound quality makes it perfect for the discriminating audio professional, while the affordable price puts it within reach of the typical recording hobbyist. Every studio needs an ERGO, because even the most accurate monitor in an imperfect room isn't going to solve mixing problems, but ERGO will. ERGO also makes your mix translate from the studio to different environments. How good is a great rack that only sounds great in your room? With ERGO, your mix sounds great everywhere you, or your fans want to hear it. Want better sound, and in more places? Put ERGO in the mix.
ERGO consists of the ERGO hardware unit, a measurement microphone, and the required software. These three pieces are used to measure and analyze phase/frequencies problems within a listening environment.
The best approach
While conventional room correction systems utilize simple analysis and limited bands of EQ (often fewer than 8), ERGO uses multiple measurements and proprietary algorithms to create a 3D image of the room, and then applies 1024 dynamic filters to control the audio environment. Our 3D model allows users to preserve the "good" characteristics of the room, while correcting the bad... ERGO doesn't color the sound or produce an artificially sterile environment. ERGO produces the best mix for a given room; a mix that will translate better to other listening environments, since it was mixed in a "perfect" room.
Room perfect technology
The sophisticated room analysis and correction system within ERGO, called "RoomPerfect" was developed by Lyngdorf Audio in Denmark after many years of R&D work. The patented algorithm in the system compares many measurements and corrects for phase and frequency problems using thousands of filters, not just a few. The result is the most accurate mix. ERGO, analyze this!
Lyngdorf Audio utilizes some of the best audio engineers in the world to develop superior technology. Lyngdorf Audio is the industry leader and cutting-edge digital audio company and we are proud to exclusively license their technology.
THE KING OF FENDER AMP TONE
The 20th Anniversary Vibro-King gives two decades of regal tone and performance to guitarists who want the best in pure Fender amp tone, power and versatility. With its mighty trio of speakers, sparkling-clean shimmer at lower volumes and forcefully thick overdrive when cranked up, it is the latest version of the acclaimed model first introduced in 1993 as a return to a great hand-wired amp tradition. It’s a classic with a wealth of sought-after features and prized ever since by guitarists and amp aficionados everywhere as one of the most touch-sensitive amps ever.
FEATURES
- 60 watts
- Three 10” Fender Special Design P10R-F speakers by Jensen®
- All-tube hand-wired circuitry
- Tube vibrato and pre-gain ’63-style Fender reverb
- Custom Schumacher® transformers
- Finger-joined solid-pine cabinet
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The 1464 featured solid-state circuitry. 'Instant-on' was a big deal, I guess, but as many of you know, early solid-state amps lacked...something. Transistors didn't 'fuzz' sweetly when overdriven (it was more like a splatter), and engineers hadn't yet learned how to contour the sound of these new amps for that tube 'warmth.' Even today, some solid-state amps use a tube or two or a better sound.
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KRK Systems is one of the world’s most respected manufacturers of studio reference monitors. In their state of the art design facility, KRK engineers create products that deliver natural and balanced spectral response with low distortion and superior imaging. KRK Studio Monitors have been the professional’s choice of recording engineers and artists for mixing and mastering hit records around the globe, as they need to hear every nuance of the audio being reproduced. KRK ROKIT Generation 3 monitors continue in this design philosophy, so regardless of your musical style, genre, or particular mixing needs, KRK Rokits deliver.
- Bi-amped, class A/B amplifier offering large headroom and low distortion
- Proprietary waveguide optimized for superior imaging
- 1” Soft-dome tweeter provides pristine clarity and extended response up to 35kHz
- High-frequency adjustment tailors the system to personal taste
- Lightweight, glass-Aramid composite woofer delivers clear midrange and tight bass
- Low-frequency adjustment tailors the monitors to taste and adjusts for room acoustics
- Front Firing Port — Low-frequency extension while reducing boundary coupling
- Radiused edges reduce distortion from diffraction
- Low-resonance enclosure for minimized distortion and colorization
- Multiple audio input connectors (XLR, ¼”, RCA) for universal connectivity in any studio environment
- Factory installed foam pad provides isolation between the speaker and surface
- Peak SPL : 109dB
- Frequency Response 35Hz - 35kHz (+/- 2 dB)
- Configuration:2-Way
- System type:Active Studio Monitor
- Low-Frequency:8" Aramid Glass Composite woofer
- Mid-Frequency:N/A
- High-Frequency:1" soft dome tweeter
- Frequency Response:35Hz - 35kHz
- Max Peak SPL:109 dB
- Amplifier Class:Class A-B
- Power Output:100W
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Effects
You also may have heard of the UnO firmware before. UnO stands for "UnOfficial" firmware for the Behringer FCB1010, which is by far the most popular and affordable MIDI foot controller on the market. We added a number of features which were frequently asked for, mainly by guitar players.
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Imagine being able to instantly reconfigure your entire rig with the touch of a single button. Now you can! And, you aren’t limited to just MIDI processors. With the addition of a GCX Guitar Audio Switcher, you can also control all your stompbox and rack effects, select amp channels, and more.
The Ground Control Pro can simultaneously control up to 8 different MIDI devices, each on their own channel. And, you can assign 8 of its buttons for instant access of GCX loops and processor functions. This gives you stompbox style control over your processor or modeling amp’s internal effects.
The finest full-featured MIDI foot controller available, the Ground Control Pro is compatible with all MIDI controlled devices, and delivers the flexibility, ease-of-use, and rugged reliability necessary to meet the needs of the most demanding professional players.
Whether you are controlling a refrigerator sized rack, using a modeling amp, or just a single processor, the Ground Control Pro is the perfect choice for all of your performance needs.
Ground Control Pro features:
Simultaneous control of up to 8 MIDI devices
8 assignable instant access switches
Controls up to 4 GCX Guitar Audio Switchers
Bright, stage-friendly alphanumeric display
Name each preset
Use volume/expression pedals for real-time control of
your sound via MIDI continuous controller messages
Hand built in the USA
With loop mania sweeping the globe, BOSS proudly announces the most powerful Loop Station ever brought to the market -- the RC-300. The new flagship looper features three synchronized stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It's also equipped with pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for the ultimate in live-performance manipulation. Plug in your guitar, bass, keyboard, or instrument of choice and create amazing loops in real time. An XLR input is also provided, complete with phantom power, so singers, percussionists, violinists, beatboxers, or anyone with a mic'd instrument can get in on the act, too. The RC-300 lets you record for up to three hours directly to its internal memory, adding effects as you go. The USB port lets you save your loops externally, as well as import/export WAV files. Step into the most powerful and inspiring Loop Station in BOSS history. It's the creative powerhouse that musicians have been dreaming of!
- Three stereo tracks with dedicated footswitches and controls for each
- Dedicated fader per track
- Expression pedal for effects control in real time
- Up to three hours of internal recording and 99 onboard memories
- 16 onboard effects optimized for looping
- XLR Microphone input with phantom power
- USB storage; import/export WAV files
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The Mooer Yellow Comp Optical Compressor is the perfect addition to any rig. It offers a classic optical compression with smooth attack and decay. Plus it preserves the original signal transients perfectly without coloring your sound. It's full metal casing makes it durable and road ready and like most greateffects pedals it has true bypass.
FEATURES
- Classic optical compression
- Preserves the original signal transients
- Full metal shell
- Pedalboard friendly
Light overdrive, ideal for blues.
Mooer's Blues Crab features a classic blues overdrive sound characteristic. It is a sweet, singing distortion rather than a high gain ceep crunch. It features afull metal shell and true bypass. It is a low profile pedal that won't eat up much space on your pedal board, but will be a much beloved component of it.
FEATURES
- Full metal shell
- Pedalboard friendly
Soul Shiver
Classic 60s sound, which takes you into the retro psychedelic trip
Three effect modes: Chorus/ Vibrato/ Rotary
Chorus: A high quality standard chorus, with warm and psychedelic
chorus effect .
Vibrato: Vintage 60s vibrato sound, ensuring that a wide- range vibrato
effect could be achieved.
Rotary: simulate the cabinet a round you, bringing forth a fantastic
rotary effect .
Full metal shell
Very small and compactd esign
True bypass switch
DC 9V adapter power supply
OVERVIEW
A compact overdrive that delivers classic blues tone.
The Mooer Blues Mood Overdrive delivers two modes of awesome blues tone, Bright and Fat. Bright mode provides transparent tube-like overdrive tone. Fat mode cranks out natural low end so you get a rich and vigorous sound. Its full metal casing makes it durable and road ready and like most great effects pedals it has true bypass.
FEATURES
- Wide range frequency response blues style overdrive sound, also sounds good on bass
- 2 Working Modes: Bright/Fat
- Full metal shell
- Pedalboard friendly
- True bypass
Order yours today!
SPECIFICATIONS
Blues Mood, Classic Blues Overdrive Guitar Effects Pedal
- Working Mode: 2 (Bright/Fat)
- Input: 1/4" monaural jack (impedance: 1M )
- Output: 1/4" monaural jack (impedance: 1k Ohms)
- Power Requirements: AC adapter 9V DC (center minus plug)
- Current Draw: 14 mA
- Dimensions: 1.6535" (W) x 2.0472" (H) x 3.6811" (D)
- Weight: 0.36lb
Features:
2 NOS hand selected BC183 Silicon transistors.
Vintage spec carbon comp resistors.
Fuzz control knob increases/decreases amount of distortion.
Level control knob boosts or cuts the volume level.
Bias control knob adjusts the overall midrange content and distortion characteristics. It’s highly interactive with the other controls.
Tone switch selects between Normal (right position) and Bass Reduction (left position) modes.
True Bypass foot-switch for letting signal pass unaffectedwhen disengaged.
Powered by 9-volt battery or 9VDC power adapater.
Visit SolidGoldFX for more info about the If 6 Was 9.
EarthQuaker sets an odd set of expectations for the Chrysalis by billing it as the sound of a recorded amp. But in the sense that it can provide the kind of cutting boost and distortion that will find room in any mix, the Chrysalis can help you maintain a certain presence that’s typical of those classic records. The pedal isn’t high-gain enough for metal, but that may be its only limitation. Whether you’re playing with a cranked 100-watt stack or a practice amp at bedroom levels, the Chrysalis will provide the kind of biting lead tones and harmonically rich chords that defined ’70s rock.
Due to the continuing requests for my limited production original design Tube Driver pedal, here are the details:
- I'm hand building only limited production numbers every week.
- I personally autograph each Tube Driver on the bottoms side.
- Those who want to reserve a unit, please contact me via email: bk@butleraudio.com
- Expect the normal build time to be about 4 - 7 days, but I can give you an estimated shipping time when you place your order.
- The design and sound is the same as the original (as supplied to Eric Johnson, David Gilmour, etc) but with improved parts such as Switchcraft all metal jacks, click pots, etc.
- Each unit is hand built to my specs and I personally check out each Tube Driver to perfection. Then I engrave my signature on the bottom of the case. This insures authenticity now and in the future!
- The cost is $299 each, no quantity discount. Please either pay in full in advance or 50% up front and the balance before shipping. I prefer PayPal payment: bk@butleraudio.com or you can call in your credit card order to: 303-766-4504. Shipping is $12 within the 48 states via USPS Priority Mail.
- International orders are welcome. Just tell me the voltage in your country. The USPS Global Express mailing cost is $47. This is the fastest, most economical and safe method.
- The custom variable "Bias" mod version is available with an additional custom 5th control (I’ve made several of these for EricJohnson, David Gilmour, Billy Gibbons and Joe Satriani) is available for $125 extra as it takes more time for me to build. The Bias control allows you to adjust the tube characteristics over a wide range. It's like changing the types of tubes anywhere from a weak 12AU7 to a blistering 12AT7.
- 220-240V, 50-60Hz is available at no extra charge, but I supply only with the USA style plug. (You will need to get either a simple plug adaptor or re-install the correct type of plug on the power cord for AC mains in your country).
A straightforward boost that'll fit anywhere on your pedalboard.
The Mooer Pure Boost performs it's task with flying colors offering up 20dB+ of clean boost with ±15dB 2 band EQ. It even make syour tone not only louder but fuller and a bit more well rounded. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
FEATURES
- 20dB+ clean boost with ±15dB 2 band EQ
- Nice embellishing of original tone
- Full metal shell
- Pedalboard friendly
- True bypass
Order yours today!
SPECIFICATIONS
Pure Boost Guitar Effects Pedal
- Input: 1/4" monaural jack (impedance: 1M Ohms)
- Output: 1/4" monaural jack (impedance: 10k Ohms)
- Power Requirements: AC adapter 9V DC (center minus plug)
- Current Draw: 6 mA
- Dimensions: 1.6535" (W) x 2.0472" (H) x 3.6811" (D)
- Weight: 0.36lb
ENO AUDIO (EX) PT-21 MINI FLOOR TUNER T CUBE SERIES A Mighty Mini !! ENO Audio has been coming forward with a great new line of affordable Mini effects, and the PT-21 Mini Floor Tuner is featured here. Accurate little tuner with easy to read display with very small footprint to fit anywhere on your pedal board. Look down, tune up and rock out........... . PT-21 Tuner Features: *Compact and accurate. *True Bypass and On/Off LED status indicator *Connectors: Input, Output, AC Adaptor *Housed in a compact, die-cast box *Runs on 9 V battery (with included Adapter) or a 9V DC power supply (not included) * Dimensions: 1 1/2"(W)x 3 1/2" (H)x 1 1/2"(D) Specifications: Input: 1/4" monaural jack (impedance:1M Ohms) Output: 1/4" monaural jack Power Requirements:AC adapter 9V DC(center minus plug) Current Draw:20mA Dimensions:93.5mm(D)×42mm(W)×52mm(H) Weight:160g Accessories:Owner's Manual
Mooer Audio micro effect pedals pack an incrediblity BIG sound into a very small package. With our Pitch Box create a wide range of precise polyphonic harmony, pitch shift and detuned effects. Range is +/- 2 octaves with 16 optional parameters.
the Dirt Transmitter Fuzzdriver. Thissilicon-based transistor fuzz circuit delivers classic tone with unrivaled versatility. At the heart of this fuzz device lies the Bias control, which limits the amount of current being fed to the transistors for a gated and velcro-like fuzz tone. It simulates the failing battery syndrome making your signal sputter out prematurely and provides for a grimierexperience. Also useful, the Tone knob allows for a wide range of high frequency roll-off creating creamier tones. It also has an extremely low self-noise floor and loads of output gain on hand. Let the Dirt Transmitter add to your fuzz palette, you won’t be disappointed. The Dirt Transmitter is true bypass and handmade one at a time in the treetop village of Akron, Ohio.
Dream Crusher Fuzz
The Dream Crusher is a germanium powered fuzz effect designed to make your guitar sound more awesome. There are two simple controls: Fuzz and Level. Fuzz controls how sweet you sound and level controls how much you want other people to hear how sweet you sound. Even though it has a simple interface, there are many tones and textures waiting to be unleased. With its 2 NOS transistors, it produces a wide range of dynamic fuzz tones with versatility rarely found in similar fuzz devices. Touch sensitive, overdrive-like and great definition from noon back, crushing grinding distortion through blown out and overloaded fuzz at its extreme. It works equally well with both single coils and humbuckers and has excellent clean up capability by rolling back on the guitars volume control. Everything from light overdrive to crushing, blown-out grind can be achieved with this device!
Measures: 4.37″ X 2.37″ X 1.75″ with knobs. Side mount jacks.
Our flag-ship device! The Hoof Fuzz is a germanium/silicon hybrid fuzz which is based on character of the classic green Russian muff. It is capable of creating everything from dirty and organic overdrive to monstrous fuzz madness. It features a smooth, natural and harmonically rich sustain that is less associated with muff style fuzzes and has more in common with an overdriven amplifier. The Hoof Fuzz has some real clarity and distinctiveness that provides a tight and controlled signal that will surely be heard through the mix. The Shift control is secret weapon of the Hoof. It changes the frequency response of the tone control, primarily on the treble side, but it also diminishes any unnecessary muddiness on the bass side too. Scoop the mids or boost them- lots of tonal shaping options are on tap! The Hoof Fuzz has become a key pedal for TONS of well known artists in both the studio and on stage. All analog, true bypass and made one at time by human hands in Akron, Ohio (the center of the universe).
The RE20 Variable-D dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D® design and heavy-duty internal P-pop filter reduce proximity effect, while an internal element shock-mount reduces vibration-induced noise.
- Low-profile drive pedal with two working modes: Warm and Hot
- Warm: Reconstruct a warm tube drive tone and nice dynamic response of classic tube amplifier; it provides a natural, smooth, creamy overdrive sound
- Hot: More powerful output than Warm mode, mighty crunch tone
- Very small and exquisite - Great for conserving pedal board space!
- True bypass
Famous for its woody, organic and beautiful sounds of saturation, these legendary British amplifiers, the Super Lead & Super Bass, have been delivering one of the all-time classic sounds for almost 50 years. Players like Jimmy Page, Paul Kossoff and countless other relied on this type of tone for their signature sound.
» Xotic have recreated this vintage masterpiece in a rugged small enclosure. The SL Drive offers very amp-like response and cleans up nicely with a roll of your guitar’svolume knob. The internal dip switches allow you to choose the sound characteristics of both 1959 models. The “Super Lead” setting offers a brighter tone with more gain, while the “Super Bass” setting has more low end with less highs.
» This compact design is a powerful tool for the working musicians.
» The SL Drive is equipped with true bypass switching and eliminates any signal interference when switched off. Power requirements are either 9V battery or AC adaptor(optional).
A compact analog chorus effect that's perfect for the crowded pedalboard.
The Mooer Ensemble King Chorus pedal is a simple-to-use chorus that provides warm, clear chorus sound with a nice spacey feeling from its fully analog circuit. It's basic controls allow you to find the right sound you want quickly and easily. Its full metal casing makes it durable and road ready, and like most greateffects pedals it has true bypass.
FEATURES
- Pure analog chorus sound
- Full metal shell
- Pedalboard friendly
- True bypass
This device is limited to 350 and sold exclusively through Prymaxe Vintage
Number and hand signed
The Sound Shank is back for a limited edition run! The Sound Shank is an aggressive germanium fuzz device based on the vintage “Buzzaround” fuzz device. Loads of gain textures on tap through the use of the Sustain control, from subtle grit with loose ends through a tight and focused crunch. The Timbre takes it from paper thin AM radio waves through big, bottom heavy grind and the level shoots it all through your amp with more than enough to spare. This version of the Sound Shank differs from the earlier units. It has been updated for a wider gain range, negative ground for the use of a standard power supply and top mounted jacks. The Sound Shank is true bypass, all discrete analog circuitry and handmade one and a time in buzzy Akron, Ohio. Each Sound Shank is dated and numbered and come with a hand signed certificate of authenticity.
Earthquaker Devices Sound Shank Fuzz Features:
• All discrete analog circuitry
• Aggressive germanium fuzz device
• True bypass
• Each Sound Shank is dated and numbered and come with a hand signed certificate of authenticity
Measures
4 5/8″ x 2 1/2″ x 2″ with knobs
Power
A standard 9 volt DC power supply with a negative center 2.1mm barrel or a 9v battery.
The Cloven Hoof is an extension of our popular Hoof fuzz, only more… cloven. We kept the clarity of the Hoof along with the wide range of dirt tones and redesigned everything around it. The Cloven Hoof delivers a grittier, more bass heavy tone with more crunch that can not be achieved with the standard Hoof. We did away with thegermanium transistors and replaced them with 4 specially selected silicon transistors for higher gains, cleaner cleans and improved temperature stability. The fuzz control has four times the range of the regular Hoof, it will go from completely clean to an all out fuzz fury with more grind at the top end of the dial. The tone control has been refined to allow a more even sweep with enough mids to handle all the additional low end. The shift control still boosts or cuts the mids and there is still a TON of output on tap. The Cloven Hoof is the perfect solution for those of you who always wished the Hoof had more. Each Cloven Hoof is made by hand in the majestic mountain top village of Akron, Ohio.
- Frequency response tailored for vocals, with brightened midrange and bass rolloff. Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise.
- Pneumatic shock-mount system cuts down handling noise. Effective, built-in spherical wind and pop filter.
- Supplied with break-resistant stand adapter which rotates 180 degrees. Legendary Shure quality, ruggedness and reliability.
- Cardioid (unidirectional) dynamic. Frequency response: 50 to 15,000 HzUniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Includes 7.6 m (25 ft) XLR-Male to XLR-Female Cable, Swivel Adapter and a Zippered Pouch
- Integrated spherical filter minimizes wind and breath pop noise
- Cardioid pickup pattern isolates the main sound source, while minimizing unwanted background noise
- Ruggedly constructed with steel mesh grille
- Pneumatic shock system
- Frequency response - 50Hz to 15kHz
Category: Consumer Electronics > Portable Audio & Headphones > Headphones
Brand: Beats by Dr. Dre
Earpiece Design: Ear-Pad (On the Ear)
Model: Solo HD
Fit Design: Headband
MPN: 900-00153-01
Features: Adjustable Headband, Detachable Cable
Color: Black
Connectivity: Wired
UPC: 848447007400
Product Identifiers
Model
Solo HD
MPN
900-00153-01
Technical Features
Impedance
45 ohms
Sensitivity
115 dB
A compact, dynamic envelope filter for both bass and guitar.
The Mooer Sweeper Dynamic Envelope Filter works for either bass or guitar and puts a new spin on your sound. The simple controls and compact size make it a great addition to your pedalboard. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
FEATURES
- Dynamic envelope filter pedal for both bass and guitar
- Unique Funky style filter tone, Clean and Fuzz sweeping switch
- Full metal shell
- Pedalboard friendly
- True bypass
he new Xotic SP Compressor offers the same OTA (operational transconductance amplifier) technology used in what many guitar players consider the best compressor ever, the Ross Compressor.
» Our new SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage,to subtle, to modern and more. It's super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.
» This compact design is a powerful tool for the working musicians.
» True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
The Mooer Triangle Buff Fuzz is based on EHXTriangle Muff design giving deep lasting sustain and slight compression characteristics. Unlike the Big Muffwhich can be muddy sounding, this is a clearer more dynamically responsive fuzz. Whether you want it creamy rich, or biting and grainy this fuzz can be shaped to your desires.
- Volume, Sustain,and Tone Controls
- True Bypass
- Mini Pedal Size Saves Space on Pedalboard
- Solid Built Metal Casing
- Uses Standard Boss Style DC 9V Adapter
Want a mirror image of your tone, only louder? This is it. The Katana Boost is also a fat, harmonically rich boost, just pull out on the volume knob and stretchyour imagination with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.The Katana circuit is Robert Keeley’s first guitar effect design forKeeley Electronics. It was originally designed for Legendary Tones for theTime Machine Boost but then became an independent product under the Keeley name after the Compressor came out. Robert’s very first effect pedal design (1999) was a digitally controlled Analog Delay complete with built in digital tuner. It worked perfectly and can even be seen at the shop from time to time. Delay times could be input via a keypad to enter the amount of delay in milliseconds or bypotentiometers. The Katana is no less stunning in its beautiful simplicity and stunning sound quality.
Two modes, Pure Clean and High Gain
1. With the speed knob Pushed In, think of it as a volume control that goes to 20.
2. With the speed knob Pulled Out, it’s a cutting boost with a bit of gain. Not quite an overdrive, just overdriven tube grit and edge to your tone.
Dual FETs for the most tube like tone in a transistor design. Power Doubling on the inside so you put 9VDC in, and we use a charge pump to nearly double operating voltage! (Caution – 9 Volt DC Maximum Input Voltage (don’t try to put 18 volts to the unit hoping that the doubler will make it 36VDC!)
Tone Reaper Fuzz
The Tone Reaper is a vintage style fuzz device based on the “3 knob” bender. It’s a silicon/germanium hybrid capable of producing an array of tones from every bender era with careful tweaking of the tone and fuzz controls. From thin and spitty to a growling crunch, all with a midrange punch to make it scratch and kick through any mix. The Tone Reaper will also please anyone looking for a higher gain grind at its higher fuzz settings. All analog, true bypass and made one at a time by real humans in stuffy Akron, Ohio.
Measures: 4.37″ X 2.37″ X 1.75″ with knobs. Top mount jacks.
- Vintage style fuzz device based on the "3 knob" bender.
- Silicon/germanium hybrid capable of producing an array of tones from every bender era with careful tweaking of the tone and fuzz controls.
- From thin and spitty to a growling crunch, all with a midrange punch to make it scratch and kick through any mix.
- Will also please anyone looking for a higher gain grind at its higher fuzz settings.
- True Bypass and Handmade with sweet loving care in Akron, Ohio.
Electro-Harmonix East River Drive Overdrive creates classic overdrive that's as bold asNew York City. Add some east coast attitude to your clean sound or send your already gritty tone over the edge. Symmetrical overdrive adds edge and gain withoutcompromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix.
No matter how hard you drive it, you're always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price! What more could you ask for?
Range switch for switching between low and high frequency response. Range fine tuning allows fine tuning within either the low and high range switch settings
In the auto switch mode, you can set the effect-off either on standard instant-off when the pedal is returned to the full upright position or a delayed-off by turning the control clockwise
Changes the mode so the effect can be turned on and off with the footswitch or with the auto switch (effect turns off when pedal is in the upright position)
Allows on-off switching of the effect independent of the footboard when the mode lever is in the footswitch mode
Adjusts the tension of the footboard return-spring in the auto switch mode. Turn clockwise for more footboard resistance; counter clockwise for a looser feel
The Mooer Hustle Drive Overdrive pedal offers a wide range of tonal options in a compact and simple design. It has two modes of overdrive that are vastly different. High peak mode (HP) boosts up the bottom end. When increasing the distortion via the Drive knob, you get more volume and a slight increase in high-mid range (around 3.5KHz). Low peak mode (LP) colors the original sound very little but works well for clean boosting. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
Back in the 2000's, Malekko hatched an idea for a pedal that was so radical, so risky, so dangerous, so goddamned crazy, that the so-called Powers That Be became too scared and tried to squash it, much like the eggless omelet. That pedal was the visionary Spring Chicken spring reverb emulator pedal, a pedal of great renown who's short run was mourned by many.
The Spring Chicken's demise was brought on by the release of the equally ground-breaking CHICKLET, a hatchling of supreme capabilities, combining small size, simple controls, and tons of sweet spring reverb dwell. Unfortunately, a meteorite caused the Chicklet's extinction, and once again, reverb lovers were shell-shocked…
Only now, in the worst reverb drought of Malekko history, have the Fowl Gods allowed the re-birth of the mighty Malekko reverb to rise like the Phoenix and bless mankind with a new superlative mini spring reverb emulator pedal: SPRING.
SPRING is our Oregon-built Chicklet successor, boasting a super small size, very low noise, and a near bottomless depth of spring reverb sound due to it's dwell circuit. This tiny reverb pedal is an evolutionary strut in spring reverb emulation and sounds HUGE! All the great sound of a reverb tank in a small little pedal! Runs off a 'standard' 9VDC neg tip regulated power supply (not included).
A compact, pedalboard-friendly bass fuzz that works well with guitar too.
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The Mooer Fog Bass Fuzz sounds great for both bass or guitar and delivers some of the most fuzzed-out bass tone on the market today. It's simple design allows the player to find the right tone quickly and easily. Controls for Volume, Tone, Fuzz(gain) and Squeeze make the Fog a knob-tweaker's dream. The Squeeze knob adjusts the pulse waveform shape from wide to narrow which really takes the tone from one of the spectrum to the other. It's full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
Classic sounding Germanium/Silicon hybrid fuzz pedal that yields tones ranging from rowdy garage punk to sweet Hendrix sounds ala "Crosstown" Traffic.
» The AC-COMP features improved tonal characteristics that have been modified for tighter, yet smooth overdrive sound. With three compression modes and internaldip switches, you can choose your level of compression, tonal character and make subtle adjustments to treble and presence levels.
» True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
B9 Organ Machine
Congratulations on your purchase of the Electro-Harmonix B9. The B9 transforms the tone of a guitar and/or keyboard into that of a convincing full bodyelectric organ. The 9 presets were finely tuned to emulate some of the most popular and classic electric organ tones. The B9 provides control over percussiveattack level, modulation speed, organ and dry volume. The tracking on the B9 can keep up with the quickest musical passages.
Forget About Tripping Over Cables on Stage Forever
Unleash yourself from your amplifier and pedalboard with Line 6's Relay G30 digital wireless guitar system. Unlike analog wireless systems which are notorious for flattening and sucking the energy out of tone, the Relay G30 digital wireless system delivers a full-bandwidth, uncompressed 24-bit digital signal. The G30 preserves the full 118 dB dynamic range of your guitar or bass over a wide 10 Hz to 20 kHz frequency range, so nothing gets lost in translation. Plus, the DSP modeling experts at Line 6 have even added a "Cable Tone" switch to simulate the impedance of a 15-foot or 30-foot guitar cable. Factor in this system's small size and nice price, and the Line 6 Replay G30 is a no-brainer for guitarists looking to go wireless.
Preserve Your Tone with 24-Bit Digital Signal
When guitarists go wireless, they typically miss the great tone afforded by an analog instrument cable. Older analog VHF or UHF wireless systems typically sound less dynamic than audio cables, since they use a process called companding, or compression and expansion, to fit into the frequency on which they're transmitting. The Relay G30 wireless system bypasses the tone-sucking, dynamics-squashing companding process by transmitting a full 24-bit wireless signal. Line 6's exclusive DCL (Digital Channel Lock) technology uses digital handshake technology to make the connection from receiver to transmitter.
Cable Tone Simulation from the Guitar-Modeling Experts
When you plug into a guitar amplifier or pedalboard with an analog cable, your tone is affected by the impedance of that cable. So if you've dialed in your amp's tone settings while plugged in, you may notice your wireless system sounding a little too bright or present in comparison. Take the edge off your tone, and add the sound of your cable back into the mix with the Line 6 Relay G30's built-in cable tone simulator. Just flip the Cable Tone switch on the receiver to put Line 6's DSP expertise to work modeling the sound of a 15-foot or 30-foot analog cable.
Roadworthy and Easy to Transport
How easy is it to transport the Line 6 Relay G30? The transmitter fits easily in a pocket, and the receiver is about the same size as a guitar pedal. In fact, you can mount the receiver inconspicuously in your pedalboard. The Line 6 Relay G30 is made out hard polycarbonate material making it more than roadworthy. Pop two AA batteries into the transmitter for up to 8 hours of battery life.
Features:
- 2.4 GHz digital wireless system with Digital Channel Lock
- Full-bandwidth, uncompressed 24-bit digital signal
- 118 dB dynamic range and 10 Hz to 20 kHz frequency range
- 100-foot line-of-sight operating range
- 8-hour battery life with two AA batteries
- Low-profile, easy-to-transport design
A compact overdrive that delivers bright, vintage style sounds.
The Mooer Rumble Drive offers a colorful overdrive perfect for Brit pop and rock with a lighter touch. The volume knob adjusts the volume of the overdirve sound while the voice and tone knobs adjust the color and brightness of the sound respectively. Its full metal casing makes it durable and road ready, and like most greateffects pedals it has true bypass.
FEATURES
- Round and smooth overdrive tone
- Excellent dynamic response and open sound
- Full metal shell
- Pedalboard friendly
Featuring a NOS ca3080 IC, this is our take on the classic stompbox compressor in an unprecedented tiny enclosure at an affordable price. Small, red and simple to use, this true bypass pedal has two control pots: level and sensitivity. This pedal is capable of sweet chunky rhythm riffing to low-level guitar-singing feedback madness and all points in between. Sounds great on bass, too! Runs off a 'standard' 9V-12VDC neg tip regulated power supply (not included).
Deep sweeps and light flanging.
Classic analog flanger sound with filter mode and oscillator effects. The Eleclady by Mooer features two working modes: Normal and Filter. Normal provides a light sweep whereas filter is more dramatic. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
FEATURES
- Full metal shell
- Pedalboard friendly
The Mooer Mod Factory brings you 11 distinct modulation effects in one tiny powerful package. Small enough to fit into the size of your palm, and light enough to carry around in your pocket, this pedal contains an army of modulation effects. Whether you want some watery Chorus, or some extreme Envelope Ring modulation you can dial it up without emptying your bank account.Three controls with each modulation effect gives you tons of room to tailor the sound to your liking. You will literally spend hours exploring what this pedal has to offer you!
Mooer does it again with the Mod Factory and brings quality effects in a beautiful, economical package.
- 11 Kinds of Classic Modulation Effects
- Chorus
- Flanger
- Phaser
- Envelope Phaser
- Tremolo
- Stutter
- Vibrato
- Univibe
- Auto Wah
- Touch Wah
- Envelope Ring Mod
- Mode, CTRL 1, CTRL 2, Depth Controls
- True Bypass
- Mico Pedal Size Saves Room on Pedal Board
- Solid Built Metal Casing
- Uses Standard Boss Style DC 9V Adapter
Brand: Mooer
Weight: 0.44 lb
The Bumble Buzz Pedal, HAND MADE by Chris Young of Union Tube &Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by Third ManCreative Hive.
Input impedance: Zin @ 1KHz 30K / Output impedance: Zout @ 1KHz: 33K.
Power requirements: 9Vdc 10mA. The Unit runs off a standard center negative 9v DC 2.1mm Boss style adapter or a single 9v battery.
With enhanced audio clarity and sound isolation, the ATH-M30x professional monitor headphones are tuned for highly detailed audio. Featuring strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.
- Advanced build quality and engineering
- 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
- Tuned for enhanced detail, with excellent mid-range definition
- Circumaural design contours around the ears for excellent sound isolation in loud environments
GE200
MOOER has unleashed a brand new multi effects processor which delivers unparalleled amp modelling in its price range and an amazing array of effects and features which will surely impress even the most disconcerting of tone chasers. The GE200 has been designed from the ground up to be the musicians perfect partner. Be it live on-stage, in the recording studio or back home in the practice den.
GE200 houses 55 amplifier models which utilize the same cutting edge technology as MOOER’s hugely successful range of MICRO PREAMPS. These digital amp models will completely recreate the tone, touch and feel of their real-life counterparts.
This mini floorboard contains an entire array of high quality digital effects. Including Compressors, drives, noise gates, EQ’s, modulation, pitch, filters, delays and reverbs. The effects signal chain is fully customizable within each preset allowing each of the individual effects blocks to be internally routed in any order. The 3.5” full colour display makes viewing the UI an absolute pleasure and programming presets is as easy as 1, 2, 3 using the effect blocks dedicated edit buttons.
The built-in expression pedal and 3 brightly lit footswitches provide full control over the GE200 for rocking out live on stage. Providing real-time adjustment to some very special control options like the MERGE feature, which opens up limitless creative possibilities.
The integrated 52 second looper with half-speed and reverse effects, team up well with its optional drum machine and auxiliary input for practicing songs at home with the same sounds you will use live at the gig.
Connect GE200 to a PC via USB to record directly to your DAW. With fully configurable outputs and monitoring, GE200 can be the main hub at your home guitar studio.
All of this is housed in a sleek, brushed aluminium shell which looks fantastic in the home or studio and provides a heavy-duty roadworthy chassis for taking on tour.
A fully tweakable and extremely compact tremolo perfect for the crowded pedalbaord.
The Mooer Trelicopter Tremolo effects pedal offers classic tremolo effects with a huge range of speeds and depths. You can even tweak the color of the sound with the BIAS knob. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
FEATURES
- Classic optical tremolo with huge range of speeds and depths
- BIAS knob brings various color of the tremolo sound
- Full metal shell
- Pedalboard friendly
Essentially Flashback We've taken all that you know and love about our TC Electronic delay sounds and poured it into a footprint too good to be true. There's more magic per square inch In Flashback Mini Delay than you'd find in a Smurf. The industry standard, most revered TC Electronic delay tones, plus TonePrint - the greatest innovation to guitar since guitar strings! Size Matters Just look at it. Who'd have thought such a tiny pedal houses such classic and classy delay sounds? Well, we've made it happen, and your ears and pedal board will be grateful. TonePrint - Signature Effects Flashback Mini Delay is TonePrint enabled. This means you get the revered TC sound multiplied to infinity with rockstar customized versions of the best delays TC has to offer - free of charge! Room For Choice An added benefit of TonePrint is that we can cram as many delay types into this little miracle as your heart desires. From tape, analog, the classic 2290 sound and dynamic delay, it's all here in spades! TonePrint - Signature Effects!
» What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings.
» A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!
» True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
The Terminal fuzz is a blown out, busted and all around destructive fuzz device modeled after my old JAX fuzz. For those not in the know, the JAX fuzz is a re-branded Shin Ei Companion fuzz that is well loved for its buzzy sound. The Terminal takes this design three steps further by allowing control over the gain, fine tuning of the EQ and a massive adjustable volume boost. The Voice controls the upper and lower mid range determining the over all frequency response while the Treble adjusts the biting top end. The Fuzz control goes from a gritty “separated” drive to a pinched, searing grind. Between these three interactive controls you will find a wide range of blistering fuzz tones at your disposal. Not only does the terminal rip on guitar, it’s one of the best bass fuzz pedals we have ever heard. Seriously, it rules on bass! The Terminal fuzz has all archaic analog circuitry, true bypass switching and is made one at a time by real human beans inAkron, Ohio.
Controls
Volume: Controls output volume level as you dial it clockwise
Voice: Clockwise for upper mids, counter clockwise for lower mids.
Treble: Clockwise for more bite, counterclockwise for less.
Fuzz: Clockwise for more blow outs, counterclockwise for less
Since its introduction in 2006, the VanAmps Sole-Mate reverb pedal has become the asked for analog spring reverb pedal at fine dealers the world over. We followed up the two output Reverbamate with the single output Sole-Mate allowing those with single input amps to experience the same lush and vintage reverb performance that the Reverbamate is known for. The Sole-Mate is a solid-state analog reverb pedal utilizing the MOD™ three-spring reverb tank, considered by many to be the best vintage sounding spring tanks available. The Sole-Mate reverb pedal employs a bipolar fully regulated power supply for increased headroom and low noise operation. The “Tru-Out” impedance matched non- loading circuitry ensures guitar tone integrity. Hard wired buffer free bypass too! Only the finest in components and hardware are used, wrapped in some of the most beautiful coverings available. In fact, we even offer a Limited Edition Sole-Mate with gold lettered control plate and VanAmps logo with special leather coverings. These LE’s are signed by the founder/builder himself and are delivered with a certificate of authenticity.
The real sound and feel of this classic guitar effect. The V847A Wah-Wah pedal is an enhanced version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, this version offers guitarists the same legendary tone with the addition of AC power capability and a buffered input jack for preserving the unprocessed guitar tone when the pedal is not engaged. The pedalâs inductor has undergone a redesign to be closer in specification to the original VOX wah inductors, for improved dynamics and tone. These additions will benefit players of all genres who use a wah pedal as an integral part of their sound. About the Wah-Wah VOX developed the worldâs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted â an important musical ingredient of the day. VOXs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered âmust-have equipmentâ for guitar players of all levels and abilities today. Features Input/Output jacks: INST jack, AMP jack Power supply: One 9V DC battery 6F22(S-006P) Power consumption: 540uA @ 9VDC Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions) Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest postion) Wah-t are you waiting for? Order now.
About the Sennheiser HDR 165
This extra headset for the Sennheiser RS 165 wireless headphone system allows two people to enjoy the same show or movie. It pairs up easily to the transmitter so that both headsets can be used at once — each with a listening range of 98 feet. Buttons on the right earcup give you personal control over your own volume. There's even a bass boost button for action scenes that need more "oomph."
Product highlights:
add-on headset for use only with Sennheiser's RS 165 wireless headphone system (sold separately)
over-the-ear, closed-back design helps keep out external noise
two headsets can be used with a single transmitter
wireless range: up to 98 feet (line of sight)
2.4 GHz wireless frequency band
volume controls and bass boost button on headphones
automatic pairing to transmitter for hassle-free operation
includes 2 "AAA" NiMH rechargeable batteries for the headphones (standard "AAA" may also be used)
battery life: up to 18 hours with a full charge using the included batteries
frequency response: 18-21,000 Hz
requires transmitter/base-station from RS 165 system for use
A compact pedal that replicates beautiful acoustic tones with three different modes.
The Mooer Acoustikar Acoustic Guitar Simulator transforms your electric guitar into a beautifully simulated realistic acoustic sound. It features 3 modes: Piezo,Standard and Jumbo. The Piezo mode simulates the piezo pickup from an acoustic-electric guitar. Standard mode simulates a normal acoustic guitar. Jumbo mode gives you more low end and resonance by simuating a large bodied acoustic. Its full metal casing makes it durable and road ready and like most greateffects pedals it has true bypass.
FEATURES
- 3 Working Modes: Piezo/Standard/Jumbo
- Full metal shell
- Pedalboard friendly
- True bypass
The ES9 overdrive is another quality but inexpensive pedal from the ENO T-Cube series. This pedal is aimed at guitarists who don't want a high gain pedal, but want a little drive while keeping the original tone of their guitar intact. Cloned TS-9. It's incredible how small this pedal is.
- 3 Modes: Original/Extra/Ultra
- Full metal shell
- Small and pedalboard friendly
- True bypass
The MF Boost is an Expression enhanced, twin topology boost pedal that allows you to select between an articulate VCA signal path and a colored OTA signal path. This completely unique boost design works with your guitar and amplifier to conjureboutique sound and responsiveness from any guitar/amplifier combination. Its natural compression and sound enhancement also bring out the best tone and performance in other effects pedals. When paired with an expression pedal, the MF Boost can be used as a tone enhancing volume pedal or sweepable-gain boost pedal. The expression pedal input also provides access to higher gain values not available on the panel.
CONTROLS
GAIN- Sets the input gain from off to maximum. With the Boost switch in the down position (VCA mode), this knob should be set to maximum. In this setting you will notice tighter bottom, focused midrange, and a more open top end. With Boost in the upposition (clipped OTA mode), the sound is creamy and lightly compressed with a slightly more forward midrange.
BOOST - In the down position, signal is sent through the VCA signal path providing clean, articulate tonal enhancement with a subtle 6dB boost (12dB+ w/ expression). This setting feels and sounds like a boutique amp in a pedal. With the switch in the upposition, signal is sent through the clipped OTA path providing 12dB of boost (18dB+ w/ expression). This path has a creamy, classic tone that bonds guitar and amplifier for everything from subtle bite and drive to singing leads. Both settings have a naturally occurring musical compression.
TONE- At higher settings this control adds openness, note articulation and picking detail. In this setting the top-end in your amplifier is sweetened while remaining smooth, the mids become focused, and the bottom end appears more robust and tight. At lower settings the Tone control can be used to fatten up an amp or tame harsh top-end.
LEVEL- Level allows you to trim the output of the Boost while maintaining input gain coloration. This control does not go completely off.
EXPRESSION PEDAL INPUT - This input is assigned to Gain. With Gain set to minimum, an expression pedal can be used as avolume pedal. At the mid setting in clipped OTA mode, the expression pedal allows you to swell in and out boost levels musically. At maximum, use an expression pedal to add input Gain not available on the panel of your MF Boost and overdrive your amp
The Palisades is something we said we would never do… an overdrive based on the legendary TS808! Gasp! The horror! Another tubes creamer?? In 2014?? Really?? After loads of requests we finally buckled. We ran tests with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, we threw it all away, used our ears and came up with what we feel is the most versatile relative of the 808 available today.
With 6 different clipping voices, 5 bandwidth settings and 2 gain channels you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The clipping voices determine how transparent and open or tight and crunchy the distortion is. They will vary drastically depending on where the gain is set, what channel is active and how much bandwidth is being used. The bandwidth sets the frequency response of the distortion and goes from thin, light and clean through fat heavy and crunchy. It may very well be the single most important control the palisades has and what really sets it apart.
Gain A is a lower gain channel with a wider range of grit that is great for strumming open chords. Gain B is a higher gain channel with a tighter range that is great for palm muting and/or shredding solos. The Palisades also has a foot switchable volume boost with adjustable level to take it over the top when you want to throw your foot up onthe monitor and rip your sweet leads… or maybe just push the front end of you amp a little harder. Not enough? How about a normal/bright switch to mix and match the overall tone to different amps and guitars. Still not enough? OK then, how about a buffer on/off switch to tighten up the tone and make it sparkle when set to “ON” or warm it upand make it sag when set to “OFF
- Traditional Style Full-range Sweep Expression Pedal, PLUS
- Switchable Control Of Second Pedal Driven Effect Using Toe Switch
- High Quality Sealed Potentiometer
- All Metal Construction, Classic Black Finish
- Made in the USA.
The SP-1 started it all for Mission Engineering. It features two 1/4" output jacks - one for the expression pedal and one for the switch. The switch is operated by pushing down on the front with your foot in the same way as a traditional wah pedal. This is used to turn a pedal driven effect such as a wah or vibrato on an off at the pedal itself.
- Wide gain range boost, enough working along as a best overdrive
- Full metal shell
- Very small and exquisite
- True bypass
The Mooer name is new on the scene, and offers a range of Chinese-made, (relatively) inexpensive pedals.
They're solidly built, with a thick metal casing, but also micro-sized - ideal for smaller 'boards. Many are obviously 'inspired' by old favourites, and this Blue Comp apes features from the Boss compressor.
Sounds
Like the Boss CS-1, the pedal has two modes. Treble mode is intended to emphasise the sustain of the treble sound, but realistically it makes the whole sound brighter - no bad thing if you want to kick it in for effect.
With the Attack control offering useful tailoring of the 'nose' of each note, the Blue is fully capable of dishing up some very effective compression
- Wide gain range boost, enough working along as a best overdrive
- Full metal shell
- Very small and exquisite
- True bypass
The J Rockett Archer is a versatile overdrive pedal that goes from a slightly hot clean boost vibe through low gain sounds and into medium gain sounds that sound great for both chord and single note lines.
The Clean Boost
While the gain is set to 0 you get a clean boost effect once the volume control passes unity (the same volume as your amp) which can then be molded with the treble control to fit your tone. This is perfect if you just want to add a little bit more volume into your circuit or push a slightly overdriven sound up a notch but that is not all that this pedal does.
Overdrive Sounds
This pedal is less like a 2 in one and more like a 3 in one pedal with the ability not only to offer great low gain and clean boost sounds but it can also go up into the mid gain realm with all the sustain and punch any blues / rock guitarist would need. Once the gain control has been taken past the halfway point you start to get into the crunchier sounds that make this pedal such a great value for money purchase.
Made To Last
The J Rockett Archer pedal has been made to withstand tours of punishment with a metalchassis that will keep it protected from all kinds of knocks it may get on the road. This pedal is also made from the best components possible and then put together in the USAthe Archer is going to last a long time on your pedalboard.
THE AD4096 IS A FLEXIBLE AND UNIQUE SOUNDING ANALOG DELAY THAT INCLUDES NEVER-BEFORE-SEEN FEATURES AND FUNCTIONALITY. THE DELAY VOICE IS A FAMILIAR DUSKY ANALOG DELAY, WHILE THE ECHO IS A FILTERED VOICE THAT ECHOES THEDELAY LINE WITH A SOFT DOUBLING EFFECT THAT CARRIES A GLITTERY LO-FI HALO OF HARMONIC SOUND DUST. MIXING THE DELAY AND ECHO VOICES PROVIDES AN INCREDIBLE VARIETY OF SONIC POSSIBILITIES.
INFINITY MODE IS AN ANALOG DELAY LOOP FUNCTION, THAT GRADUALLY SHIFTS AND DECAYS INTO THE DOMINANT TONE OF WHAT HAS BEEN PLAYED. INSPIRED BY CLASSIC TAPE DELAY SOUNDS, INFINITY MODE SUBTLY ADDS CHARACTER IN THE FORM OFHARMONIC CLOUDS THAT GROW AND DRIFT CREATING INCREDIBLE SOUNDSCAPES.
SPILL-OVER AND OTHER SPECIAL FUNCTIONS CAN BE ACHIEVED USING THE SWITCHABLE AUX OUTPUT JACK WHERE CREATIVEPOTENTIAL LURKS. USING INFINITY MODE, THE AUX OUTPUT CAN BE USED TO PLAY WITH THE LOOP. EVEN WHEN BYPASSED THE LOOP WILL CONTINUE AS YOU PLAY ALONGSIDE. ALTERNATELY, AUX OUTPUT CAN BE SWITCHED TO SPLIT THE INPUT SIGNAL TO ALLOW INTERESTING FLEXIBILITY IN YOUR SIGNAL CHAIN.
EXPAND PUTS DELAY FEEDBACK OSCILLATION AT THE TOUCH OF A BUTTON FOR CREATIVE EXPRESSION AND EMPHASIS. THE EXPANDFOOTSWITCH IS A MOMENTARY TYPE FOOTSWITCH THAT ALLOWS THIS FEATURE TO BE SO EXPRESSIVE.
The Dunlop MC-404 CAE wah is a total funk machine. The Dunlop MC-404 CAE wah is a total funk machine. No, that's not a misprint - it's actually worth saying it twice. Why? because the Dunlop MC-404 CAE wah gives you twice the über-funky wah as the next wah pedal. You see, inside this baby's two totally different wah circuits. They're both top-quality, made from only the best Fasel inductors - no "good and better" thing going on here. The Boost setting takes the high road, adding spunk and snap to your tone - perfect for cheeky funk and jazzy popping lines. The LineDiver setting goes for the below-the-belt low/mid resonance that's a little sassier, which is killer for classic rock. Plus, you can fine tune the Q of either setting, so you get to dial in your own flavor. See, the Dunlop MC-404 CAE isn't you typical wah pedal... it's a wah wah pedal.
- 3 Modes: Original/Extra/Ultra
- Full metal shell
- Small and pedalboard friendly
- True bypass
All-sided high-gain distortion with excellent dynamic response and definition, especially suited for solo playing. 3 Working Modes: Natural/Tight/Classic. Full metal shell. Very small and exquisite. True bypass. Requires DC 9V Adapter power supply.
- Low-profile drive pedal with two working modes: Warm and Hot
- Warm: Reconstruct a warm tube drive tone and nice dynamic response of classic tube amplifier; it provides a natural, smooth, creamy overdrive sound
- Hot: More powerful output than Warm mode, mighty crunch tone
- Very small and exquisite - Great for conserving pedal board space!
- True bypass
Blackout Effectors Blunderbuss Hybrid Fuzz
The Blackout Effectors Blunderbuss Hybrid Fuzz offers all of the fuzzy versatility of the Musket, with the added depth of an upgraded 4 stage germanium/silicon circuit that gives you complete control over the tone, quality, and clarity of your fuzz. Asymmetrical clipping delivers an almost overwhelming abundance of crunchy fuzz with plenty of pre-fuzz low end that you dial in with the Focus control. The Preamp control adds a clean boost to any of your settings while the Tone and Midrange knobs let you own your tone with a sweep that ranges from the metal purist’s severely scooped mids to the bright highs you need for the classics. Operates on either a standard 9 volt DC adapter or an 18 DC adapter for exceptional clarity and headroom. As with all Blackout Effectors pedals, the Blunderbuss Hybrid is wired for true bypass switching and is Made in the USA.
Blackout Effectors Blunderbuss Hybrid Fuzz Features:
- Based on the Blackout Effectors Musket circuit
- Uses Silicon and Germanium Transistors
- Preamp, Midrange, Focus, Gain, Volume, Tone Controls
- 4.75” (12.06 cm) x 2.625” (6.667 cm) x 2.25” (5.71 cm)
- Standard 9-18 Volt DC Operation (No Batteries)
- Made in the USA
- True Bypass
Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig.
Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. We have created a truly transparent compressor, complete with all the controls found in the studio. The result is a tool that allows for a wide range of sounds from subtly adding sustain to getting the “quack” that country players love.
We've also included a mix knob to blend in the dry signal for an even more transparent sound and a gain reduction meter so you know what the compressor is doing at all times.
Features
- All Analog Signal Path - no digitals in here!
- Extremely Transparent - Add dynamic control without altering the original tone of your instrument
- 3 Compression Ratios - 2:1, 4:1 and 10:1 ratios offer lots of flexibility
- Attack and Release Control - allows for ultimate control over the compression characteristics
- Mix - Blend uncompressed signal in with the compressed signal for parallel compression, New York Style!
- Metering - Meter either gain reduction, input, or both.
- True Display LEDs - Bright multi-color LEDs always let you know what the Compressor is doing.
- Bass - Works great on bass!
- True Bypass - The Empress Compressor employs true bypass, so you can be sure that it's not affecting the signal when disengaged.
- Small Size - The enclosure measures approximately 4.5" by 3.5" by 1.5", which is delightfully small when considering all the features packed into this unit.
- Beautiful Case - It has a sparkle you can't deny!
Be the first kid on the block to have your Ibanez WH10V2 Wah Pedal. Fresh and ready to go. Only 2 in stock!! Ibanez WH10V2 Classic Wah Pedal; A hit from the 80's is back, better than ever! Updated and upgraded, at first touch you will notice that the WH10 Reissue is stronger since its inclosed in a die-cast case unlike the original plastic one that caused misery for hard stomping musicians. The WH10V2 features the same multiple feedback opamp circuit as the original, a feature rarely found in today's wah pedals. It also has a depth knob to control to level of the wah effect and a dry out for mixing a dry signal with the wah sound. The WH10V2 has a unique tone character setting it apart from all traditional wah pedals, as well as some modern tweaks so your sound keeps changing with the times. Ibanez WH10V2 Features: * Multiple feedback opamp circuit * Dry Out Output * Depth Controls from +6 to +20dB * Range Switch allows selection of Guitar or Bass frequencies * Powered by 9V battery or Optional AC109 power supply * Die-cast case Since the point of having a classic wah pedal is to squeeze every ounce of expression out of a screaming solo or rhythm part, it's easy to see why the original WH10 was a hit when it was first released in the '80s. Now it's back and even better.
The Mooer name is new on the scene, and offers a range of Chinese-made, (relatively) inexpensive pedals.
They're solidly built, with a thick metal casing, but also micro-sized - ideal for smaller 'boards. Many are obviously 'inspired' by old favourites, and this Blue Comp apes features from the Boss compressor.
Sounds
Like the Boss CS-1, the pedal has two modes. Treble mode is intended to emphasise the sustain of the treble sound, but realistically it makes the whole sound brighter - no bad thing if you want to kick it in for effect.
With the Attack control offering useful tailoring of the 'nose' of each note, the Blue is fully capable of dishing up some very effective compression
The Little Fuzzy Drive is designed to provide sounds based on retro fuzz tones, but with modern controllability and stability resulting in a rich variety of tones. For amplifying element, instead of the rare germanium transistor, we used the circuitry with operational amplifier. This enabled us to overcome the known unstable characteristics of the germanium transistor caused by its individual difference and temperature shift. The Toggle Switch allows you to choose between Fuzzy Drive and Fat Fuzzy modes. Fuzzy Drive mode is similar to its predecessor, the Fuzzy Drive, providing relatively tight tone design, but with high gain and deeper distortion. Fat Fuzz mode has thicker sound with a mid range boost, allowing for even more gain. Just like the Fuzzy Drive, the Little Fuzzy Drive is very sensitive to the dynamics of picking and use of the guitar's volume control. If the incoming signal is low, there will be less distortion. If the signal is high you'll add more gain and distortion. With all of the rich functions the Little Fuzzy Drive provides, we still left enough room for a 9V battery.
The Mooer Hustle Drive Overdrive pedal offers a wide range of tonal options in a compact and simple design. It has two modes of overdrive that are vastly different. High peak mode (HP) boosts up the bottom end. When increasing the distortion via the Drive knob, you get more volume and a slight increase in high-mid range (around 3.5KHz). Low peak mode (LP) colors the original sound very little but works well for clean boosting. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This compact, rugged, cast aluminum stompbox provides quick, hands-free access to four different user programmed EQ settings. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.
The Programmable EQ packs plus or minus 18dB of range over sevenfrequency bands, plus an additional frequency band at 62Hz, accessible via the Octave Extend function. Engaging the Octave Extend systematically optimizes the pedal’s frequency spectrum to accommodate the specificfrequency range of the bass. Once you’ve dialed in the desired guitar orbass tone, save it in one of four programmable user presets. Each preset is easily accessible via the hands-free footswitch scrolling function. Simply hold down the footswitch and let the pedal scroll through each preset at an adjustable rate – release to engage. The pedal’s MIDI input also provides remote access to user presets or engages/disengages the effect. Run a MIDI signal from your POD, Eventide Space reverb, TC Nova System or any other MIDI compatible multi-effects unit and vastly expand your tone horizon within each preset.
The Programmable EQ offers a substantial clean boost of up to 12dB. Use the clean boost for an entirely transparent volume increase or go further and give your amp the front-end push needed for an aggressive naturalbreak-up. The relay-based true bypass footswitch provides improvedreliability, remote switching capabilities, and a completely unaffected, hard wire signal in bypass mode. As a bonus, the Auto-scrolling function, which automatically scrolls between all four presets at an adjustable rate, creates unique and dramatic effects similar to sequencer or tremolo units.
Mobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.
Here at Divine Noise, with the help of Tech Flex, we offer the straight cables in a wide variety of colors (35), with no compromise on quality! For those of you unfamiliar with Tech Flex, they manufacture braided outer sleeving. With its .10 mil thickness, the braided sleeving offers an added layer of protection- not that need it! Every cable from Divine Noise is cut, soldered and assembled by hand in Portland Oregon. They use only the highest quality products to ensure that you get the most out of your equipment. Everything from the thick, heavy-duty PVC jackets on their cables to the highest quality silver solder to secure components is done to create a reliable, great sounding, high caliber product that you can trust. These are cables made for the tortures of touring with the assurance of performance. Comes with a lifetime no hassle warranty.
cleverly named pedals.Plugging in to it shows that what counts is what is inside. The distortion produced is smooth, buttery, balanced musically. A joy to play, the responsivenessis amazing and not harsh. Has loads of volume headroom to drive your amp or dial it down to get the pure melodic distortion. Based on the MI Audio Crunchbox, this can do any genre you throw at it. A personal favorite pedal at CheaperPedals. Very highly recommended. A real class A+ tone machine.
- Based on MI Crunchbox's Famous Sound
- Volume, Tone, Gain Controls
- True Bypass
- Mini Pedal Size Saves Space on Pedalboard
- Solid Built Metal Casing
- Uses Standard Boss Style DC 9V Adapter
Small, ruthless and simple. 1" x 3" of pure classic fuzz that can melt even the most anti-fuzz activists heart. We believe this is one of the most shocking pedals you will ever play. Rich harmonics, massive headroom and thick fuzz/overdrive that may cause you to wonder, "What if I had had this pedal years ago? Would I be famous.....?"
A compact, dynamic envelope filter for both bass and guitar.
The Mooer Sweeper Dynamic Envelope Filter works for either bass or guitar and puts a new spin on your sound. The simple controls and compact size make it a great addition to your pedalboard. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass.
FEATURES
- Dynamic envelope filter pedal for both bass and guitar
- Unique Funky style filter tone, Clean and Fuzz sweeping switch
- Full metal shell
- Pedalboard friendly
- True bypass
The TS10, TubeScreamerClassic, is the original TubeScreamerthat Ibanez became famous for. It provides the sound of an overdriventube amp. It features a Drive control to vary the intensity of the distortion, aTone controlforequalization, and a Level control that varies the overall gain when the distortion is engaged. This is the sound that first maderock and rollfamous.
The TS10 boosts the input signal toextremes, and then clips thewave formwithsemiconductorsthat have thecharacteristicsto distort naturally, like atube amp. At the same time, sustain is added to the sound.
First, set up the sound you normally use for non-distorted operation of your amp (bypassing the TS10). Set the level on the TS10 low, tone at zero, then activate the pedal. Set the drive control to your taste (clockwise is most overdriven). Then switch the effect in and out while setting the level to the desiredrelationshipwith the norma sound (usually slightly louder so distorted soloscut through). Since the TS10 responds todynamics, you may want to set the drive and level higher thannecessaryand back off the level onthe guitar. By playing techniques and working the volume on the instrument "clean", "dirty" and in between variations are continuously variable and available "on board". This frees you fromstandingin front of yourpedal boardwhen stage movement is desired. These subtle changes being made while playing can make an average distorted solo into a classic. Thetone controlof the TS10 can be used to furthercontrastto the amp sound. By using the level control at higher settings your amp may be overdriven by the gain of the TS10 for different types of distortion (some solid state amps can't handle the increased level at the input andbreak-up undesirably). The TS10 inconjunctionwith amp distortion or anotherdistortion pedalcan give further variations (ex: TS10 with channel switching amp gives 4 distinct footswitchable "presets"). Note that excessive distortion adversely affectssound quality.
The Pigtronix Philosopher’s ToneGermanium Gold LTD is a new version of the classic Philosopher’s Tonecompression/sustainer/distortion pedal that has been a favorite for many guitarists. This new limited version of the Philosopher’s Tone comes equipped with 1N60 Germanium Diodes in an asymmetrical clipping format. What this translates into is a smooth top end and midrange response, creating more character and even more punch than the original Pigtronix Philosopher’s Tone. If you felt that the original circuits in the Philosopher’s Tone were brilliant, wait until you hear how the Germanium diodes add to the overall character of thiscompressor/sustainer pedal. The clean side of the Philosopher’s Tone remains the same – dial in your Treble and Volume to get the signal you desire. Use the Sustain Knob to dial in the amount of compression you need – this will provide a sustain unheard of in many compression pedals, and retain the original integrity of your tone. The Grit knob acts as a blender control, and you can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher’s Tone can be blended perfectly – with just the rightamount of grit for your playing. The Pigtronix Philosopher’s Tone Germanium Gold LTD really bringssomething special to the world of compression stompboxes. With Germanium diodes, a more refine treble response, incredible sustain, and smooth overdrive on hand, this is the compression pedal to have on your board.
The new version of the Philosopher’s Tone will astound you. Of course, the original version was one of the best compressors/sustainers available…but the Germanium Gold LTD will give you much more smoothnessin your top end and a punchy but not overbearing mid range. The Grit knob, now reconfigured to blend your signals, will give you even more tonal variety. The transparency, sustain, low noise, and touch sensitivity of the Philosopher’s tone is unmatched.
New and improved (formally the Juice Box) provides a reliable and consistent way to power your effects board. Drives up to 10 pedals from the same source. Seven 9V and three 18V outputs. More than a power supply, this box is a power conditioner as well.
- The rugged PGXD1 bodypack transmitter easily clips onto a belt or guitar strap, and provides you with a 20Hz - 20kHz frequency range, up to 10 hours of continuous use on 2 standard AA batteries (not included), and 200' of wireless freedom.
- The PGXD4 receiver offers 24-bit/48kHz accurate sound, offers technology for incredibly accurate sound, auto frequency selection, and greater reliability thanks to its true digital diversity.
- The WL93 Lavalier Microphone is an omnidirectional, subminiature, lavalier, condenser microphones designed for general speech applications where a visually unobtrusive microphone is desirable.
- The WL93 comes with mounting block with attached tie bar, sew-on mounting bracket, and an acoustic windscreen to minimize wind noise in outdoor applications. It includes a cable terminated with a 4-pin mini connector which connects directly to the PGXD1.
- The rugged PGXD1 bodypack transmitter easily clips onto a belt or guitar strap, and provides you with a 20Hz - 20kHz frequency range
- Up to 10 hours of continuous use on 2 standard AA batteries (not included), and 200' of wireless freedom.
- The WL93 Lavalier Microphone is an omnidirectional, subminiature, lavalier
- WL93 comes with mounting block with attached tie bar,sew-on mounting bracket & acoustic windscreen to minimize wind noise in outdoor applications.
Impulse is a range of professional USB/MIDI controllers. As well as a precision keyboard, drums pads and a full control surface, it comes with an updated version of Novation's award-winning Automap control software - Automap 4 - which makes getting hands-on with your DAW/plug-ins fast and simple. Impulse also comes with Ableton Live Lite, Novation's Bass Station synth and a Loopmasters sample pack.
Features
- Precision Keyboard: Ultra-responsive semi weighted keyboard with aftertouch
- Full DAW/plug-in control surface: 8 knobs, 9 faders and buttons (1 fader & button on Impulse 25) and a custom LCD screen
- Multi-function, back-lit drum pads: Warp arpeggios, roll beats and launch clips in Ableton Live
- Hardware design is tough and rugged
- USB powered, with expression and sustain pedal inputs as well as MIDI in and out ports for connecting external MIDI instruments
USB MIDI Port
MIDI controllers we have tested with iTrack Dock's MIDI port:
- Novation Launchpad S
- Novation Launchkey range (mini, 25, 49, 61)
- Novation Impulse range (25, 49, 61)
- Novation Launchpad mini
- Novation Launch Control
- Novation SL MkII range (25, 49, 61) Please note, the * Novation SL MKII range needs external power to work with the iTrack Dock
- M-Audio Oxygen range (25, 61)
- M-Audio Axiom Air mini
- Alesis Q49
- Alesis QX61
- Akai Max 49 *Please note, the Akai Max 49 needs external power to work with the iTrack Dock
Known incompatible controllers:
- Korg microkey 37
- Korg MS20ic
Analogue Input Performance - Mic
Frequency Response
20Hz - 20kHz +/- 0.2 dB (minimum gain)
THD+N
< -99dB (minimum gain, -1dBFS input with 20Hz/20kHz bandpass filter)
Equivalent Input Noise (EIN)
< -125dBu CCIR-RMS (measured at maximum gain with 150 ohm termination)
Gain Range
-4dB to +46dB (dBFS / dBu) ±1dB
Max Input Level
>+4dBu (at 1% THD)
Analogue Input Performance - Line
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
< -98dB (min gain, -1dBFS at output and 20Hz/20kHz bandpass filter)
Noise (NiPoS)
<-104 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
Gain Range
-22dB to +28dB (dBFS / dBu) ±1dB
Max Input Level
>+21dBu (at 1% THD)
Analogue Input Performance - Instrument
Frequency Response
20Hz - 20kHz +/- 0.2dB (minimum gain)
THD+N
<-90dB (min gain, measured at Max Input Level -1dB, 20Hz/20kHz bandpass filter)
Noise
<-104dBu CCIR-RMS (measured at min. gain)
Gain Range
-16dB to +34dB (dBFS / dBu) ±1dB
Max Input Level
>+14dBu (at 1% THD)
Analogue Output Performance
Nominal Output Level
0dBFS = >+10dBu, balanced
Frequency Response
20Hz - 20kHz +/- 0.2dB
THD+N
< -100dB, balanced (0dBFS input 20Hz/20kHz bandpass filter)
Digital Performance
Clock sources
Internal clock only
D-A Dynamic Range
105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB
Supported sample rates
44.1 KHz, 48 KHz, 96 KHz
24 Bit
Input Metering
Ring LED lit Green
Signal present (-24 dBFS)
Ring LED lit Red
Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
- Height 64mm
- Width 280mm
- Depth 168
- Weight 0.7 Kg
IPAD NOT INCLUDED
Featuring a 3D visual meter that's so beautiful you'll think of it as an aspect of your stage performance, the Korg Pitch black Pro Rack mount Tuner's three-dimensional expression of light delivers an unprecedentedly visual element. Although it's in a rack mount form factor, the body is ultra-lightweight and slim, allowing it to be used anywhere. This is a new generation of rack mount tuner that every guitarist/bassist with professional aspirations should experience. For guitar/bass, the 19-inch, 1U Pitch black Pro Rack mount Tuner is lightweight, thin, removable; not limited to rack installation and has three meter display modes: regular, strobe, and half-strobe. The Cable Checker warns of broken or shorted cables, Buffered output minimizes any change in audio quality, Mute function lets you tune silently and Tuning: 12 note equal temperament, Detection range: E0 (20.60 Hz) ~ C8 (4186 Hz), sine wave, Detection accuracy: +/- 1 cent. Since Korg produced the world's first rack mounted tuner, the DT-1pro which appeared in 1987, Korg has continued to produce classic models that define the era, including the DTR-1/DTR-2 in 1994 and the DTR-1000/DTR-2000 in 2002. Now, Korg unveils its latest Pitch black rack mount model.
If you would like to submit a best offer on an item that is encouraged. Please use the email button at the bottom or send the email to axispaulstew@gmail.com. Many of the cabinets pictured with the amplifiers are available for purchase via local pickups.